A program of interrelated exhibitions that examine the aesthetics of dictatorship in interwar Italy. As seen in the over 200 objects of public works, mural paintings, architecture, design, and decorative arts in the 1920s and 1930s, they highlighting the dialogue between politics and aesthetics.
Echoes and Origins: Italian Interwar Design
September 27, 2013–April 20, 2014
The Birth of Rome
November 22, 2013–May 18, 2014
Rendering War: The Murals of A. G. Santagata
November 22, 2013–May 18, 2014
For its Fall-Winter 2013 exhibition season, The Wolfsonian–Florida International University will
present Rebirth of Rome, a program of interrelated exhibitions that examine the aesthetics of dictatorship in interwar Italy.
Each exhibition will address responses to the challenges of modernity, as seen in the over 200 objects of public works,
mural paintings, architecture, design, and decorative arts in Italy in the 1920s and 1930s, drawn from The Wolfsonian’s
collection, with loans from the museum’s founder, Mitchell Wolfson, Jr., and from Marcello Cambi and the Wolfsoniana in
Genoa. The sum of the exhibitions constitute a portrait of Italy in the period between the World Wars, highlighting the
dialogue between politics and aesthetics that largely defined its self-representation during this critical period of its history.
These exhibitions are presented on the occasion of the Year of Italian Culture in the United States organized by the Italian
Ministry of Foreign Affairs and the Embassy of Italy in Washington, DC.
“These three exhibitions draw on The Wolfsonian’s extensive Italian holdings to show how art and design affect our
collective understanding of the world,” said Cathy Leff, Director of The Wolfsonian. “The selections made by Silvia Barisione
and her curatorial team show how the things we make are never merely things, but also means of persuasion that influence
culture in real, if not immediately noticeable, ways.”
Echoes and Origins: Italian Interwar Design
September 27, 2013–April 20, 2014
When the Fascist party seized power in Italy following the First World War, the regime set out to establish a unified political
identity—one looking to the future while maintaining reverence for tradition. Echoes and Origins: Italian Interwar Design
explores how Italy’s designers, artisans, manufacturers, and corporations helped cultivate a style that embodied the
regime’s concept of Italianità (Italianness), glorifying both the Roman Empire and the spirit of modernity. The works on
view—furniture, ceramics, glass, graphic and product design, and industrial objects—comprise a portrait of modern Italy,
highlighting the dialogue between identity and aesthetics that characterized this critical period of its history.
The Birth of Rome
November 22, 2013–May 18, 2014
The Birth of Rome presents modern architectural and urban planning projects that cultivated the perception of a storied
Italian nation rooted in a mythologized past. On display for the first time, artist Ferruccio Ferrazzi’s colossal study for the
mosaic The Myth of Rome will serve as an anchor for a series of focus studies that document the alliance between art,
architecture, and ideology in Italy under Benito Mussolini. Ferrazzi designed the mosaic in 1938 as a government
commission for one of the buildings surrounding the recently excavated Mausoleum of Augustus. The display will also
include a selection of studies for additional mosaics designed by Ferrazzi as part of the overall The Myth of Rome
installation in the Piazza Augusto Imperatore.
This visualizing of national origins through The Myth of Rome will be complemented by four focus studies of additional
building projects carried out during the Fascist regime: the Foro Mussolini (now the Foro Italico), a sports complex modeled
after the Roman forums of the Imperial age; the E U R, a new district in the Italian capital planned for the never-realized
1942 International Exhibition that would celebrate the twentieth anniversary of the regime; Virgilio Marchi’s drawings for a
Futurist Rome; and the Italian Pavilion at the 1939 New York World’s Fair.
The Birth of Rome will be accompanied by a publication, the first in a new series exploring The Wolfsonian’s collection.
Rendering War: The Murals of A. G. Santagata
November 22, 2013–May 18, 2014
Rendering War focuses on the Italian Novecento artist Antonio Giuseppe Santagata’s large-scale studies for mural paintings
created in the 1920s and 1930s for buildings of the Association for Disabled and Invalid War Veterans (Case dei Mutilati).
Chief among these are the artist’s studies for frescoes in the assembly hall and courtyard of the Casa Madre dei Mutilati
(1928–1936), the national headquarters of the association, on the banks of the Tiber River in Rome. Commemorating and
celebrating Italian soldiers in the First World War, Santagata’s imposing renderings offered a counter-narrative to the
devastating realities of Italy’s actual experience in the war. These works not only express the heavily politicized aesthetic
outlook of the Italian state, which promoted public art that would restore a sense of national pride and unity after the
humiliations of the war, but also reflect the fierce debate taking place around the relationship between new architecture
and visual culture.
We would like to thank the Wolfsoniana–Fondazione Regionale per la Cultura e lo Spettacolo for their participation in this
project.
Rebirth of Rome is made possible by the Italian Consulate General Miami, the Italian Cultural Institute New York, the United
States Consular Agency Genoa, and the Wolfsoniana–Fondazione Regionale per la Cultura e lo Spettacolo in Genoa, to mark
the Year of Italian Culture in the United States. Additional support from Gucci, MSC Mediterranean Shipping Company S.A.,
the Poltrona Frau Group Miami, the Funding Arts Network, the Leon Levy Foundation, Aprile SpA, and Ansaldo Energy Inc.
We would also like to thank Mitchell Wolfson, Jr., Marcello Cambi in Genoa, and the Wolfsoniana–FRCS for their generous loans to the project.
Image from: Echoes and Origins - Italian Interwar Design
Media contact:
Ian Rand - The Wolfsonian Tel: +1 (305) 535-2631 E: ian@thewolf.fiu.edu
The Wolfsonian is located at 1001 Washington Avenue, Miami Beach, FL.
Hours:
Open daily noon-6pm
Fridays noon-9pm
Closed Wednesdays
Admission is free every Friday from 6-9pm.
Adults: $7
Seniors, students with ID, and children 6-12: $5
Children under 6: FREE
Students, faculty, and staff of the State University System of Florida: FREE