On show in Singapore Trinh T. Minh-ha, Zarina Bhimji, Fiona Tan. Conceived as a constellation of three artistic productions that together explore narratives of travel and migration, Paradise Lost introduces an imaginary Asia.
The newly established Centre for Contemporary Art in Singapore is pleased
to announce its first exhibition, Paradise Lost. Conceived as a
constellation of three artistic productions that together explore
narratives of travel and migration, place and displacement, the personal
intertwined with colonial history, Paradise Lost introduces an imaginary
Asia — Asia as a space of projections and desires stemming from an
experience of dislocation and asynchronicity. Curated by CCA Founding
Director, Ute Meta Bauer and Anca Rujoiu, CCA Curator Exhibitions the show
juxtaposes trans-generational perspectives, bringing together three major
installations of moving image: Surname Viet Given Name Nam by Trinh T.
Minh-ha, Yellow Patch by Zarina Bhimji and Disorient by Fiona Tan. While
all three artists are of Asian descent, their education and artistic
practice unfolded in Europe and the US, and gained international exposure
from there. This is the first time these works are shown in Asia in an
In Surname Viet Given Name Nam (1989), Trinh T. Minh-ha questions the norms of representation and filmic documentation, as she examines the lives of women in Vietnam and the US through themes of dislocation, exile and resistance. A filmmaker, composer, anthropologist and post-colonial theorist, Trinh has advocated in her art and writings for a continual readjustment of our understandings of what is “other” and “otherness”.
In Yellow Patch (2011), Zarina Bhimji traces her father’s migration from India to East Africa, revisiting an array of buildings and landscapes in Bombay and Gujurat through a disembodied, almost ghostly viewing experience that isolates images from any contextual information. Refraining from facts and references, Bhimji allows stories to manifest in the physical structures of abandoned buildings — archeological palimpsests that evoke a phantomatic presence, the spectre of a land of emotion.
Inspired by Marco Polo’s travels, Fiona Tan’s Disorient was conceived for the Dutch Pavilion at the Venice Biennale in 2009. This project questions stereotypical representations of the East as constructed by Western historical narratives and orientalist imaginations. The work disorients our patterns of looking by contrasting hoards of exotic and aesthetically loaded objects with incongruous images of violence, pollution and poverty.
Paradise Lost complements current explorations on the region, from the 2013 Singapore Biennale to the 2014 Art Stage Singapore art fair, bringing to the fore a perspective of Asia and its colonial history as perceived from near and afar. The exhibition investigates fictions of Asia by complicating them with more fictionalities. While Trinh T. Minh-ha articulates a cinematic dialectic, Fiona Tan and Zarina Bhimji work through an immersive visual language. Wrapped up in allegory and fiction, each work maintains a tight connection with the artists’ personal experiences of navigating cultural identity and homeland, migration and crossing borders.
A series of talks, reading groups and workshops will further explore the conceptual framework of the exhibition.
Paradise Lost will also serve as a catalyst for a long-term collaborative research project that will investigate the asynchronisities of diasporic spaces connected to the political and economical histories of migration along old and new trade routes.
CCA Talks at Art Stage 2014, Saturday January 18, 1–6 pm Happening concurrently with Paradise Lost, CCA Talks at Art Stage features presentations by academics, curators, collectors, and directors of art institutions. Convened by Lee Weng Choy, the talks will address such topics as the relationships between art and knowledge and the institution, the changing ecology of visual art in Singapore and Hong Kong. As a special guest of honour, MIT Dean of the School of Architecture and Planning, Adèle Naudé Santos, will be giving a keynote lecture.
CCA – NTU Centre for Contemporary Art, Singapore The Centre for Contemporary Art (CCA) is the national art centre of Nanyang Technological University, with support from the Economic Development Board, Singapore. Located in Gillman Barracks alongside a cluster of international galleries, the CCA takes a holistic approach towards art and culture, intertwining its various platforms: exhibitions, public programmes, research and residencies.
Under the leadership of CCA Founding Director, Ute Meta Bauer the centre officially opened in October 2013 with Free Jazz, an open-format series that brought together cultural producers such as Lee Wen, Lucy Davis, Grieve Perspective, OffCuff, Cosmin Costinas, Ade Darmawan, Mark Nash, Zai Kuning, Bige Örer, Geert Lovink, Nikos Papastergiadis, Bani Haykal, Ila and Syv Bruzeau, to imagine and envision the potentials of this new institution.
Friday January 17, 6.30–9 pm
CCA — NTU Centre for Contemporary Art
Block 43, Malan Road, Gillman Barracks, Singapore
Hours: Tue.–Sun. 12–7 pm; Fri. 12–9 pm