Eating Grass is a poetic and compelling new work from Alia Syed. Filmed in Lahore, Karachi and London and encompassing five stories relating to the times of day for Muslim prayer, the work explores overlaps between time, memory and location. The title of the work is a reference to a quote made by President Bhutto of Pakistan in 1974, who in response to India exploding a nuclear device promised the Pakistani people that they too would have their own nuclear weapon at all costs, even if it meant "Eating Grass".
Eating Grass, a new filmwork
Talwar Gallery is pleased to announce the US premiere of Eating Grass, a new
film work by Alia Syed. This exhibition will open to the public on Friday,
January 9, and will be on view through Feb 24. There will be an opening
reception with the artist on Friday January 9 from 6-8 pm.
Eating Grass is a poetic and compelling new work from Alia Syed. Filmed in
Lahore, Karachi and London and encompassing five stories relating to the times
of day for Muslim prayer, the work explores overlaps between time, memory and
location. The title of the work is a reference to a quote made by President
Bhutto of Pakistan in 1974, who in response to India exploding a nuclear device
promised the Pakistani people that they too would have their own nuclear weapon
at all costs, even if it meant "Eating Grass".
Moving through daily rituals inside the walls of a haveli in Pakistan to those
of life outside, the film encapsulates the passage of time through the changing
emotional tones bathing the urban, metropolitan rhythms. As the bustle of modern
life outside parallels and slowly transcends the changing nature of the day's
light, so Ms.Syed suggests, is it possible for the spirit within. The surreal
nature of Syed's work is accentuated by the accompanying voiceover in Urdu and
English; its textural and out-of- sync pattern conveys meaning while at the
same time building a rhythm of tonal cadences similar to structures found in
Indian classical music or jazz.
Alia Syed's work explores issues of identity and representation, often
employing rhythmic and cyclical elements in which characters, places, text,
images, and sound coincide with and at times oppose conventional narrative
structures. Syed's interest in time and memory is the basis for her
storytelling, in which the personal reality is interwoven with the film's
narratives, ultimately creating a space for dialogue and reflection.
Alia Syed was born in Swansea, Wales (UK) of Indian and Welsh decent. She
completed her Bachelors in Fine Arts from University of East London in 1987 and
Postgraduate work in Mixed Media from Slade School in 1992. While pursuing
experimental filmmaking over the last decade and a half, Syed had also taught
and lectured at Central St.Martins (1992,93,97 and 2001), Glasgow School of Art
(1994) and Chelsea School of Art (1996-2000). Syed's work has been screened at
film festivals and museums worldwide, including Arrows of Desire (1991) at The
Institute of Contemporary Art (ICA), London; Pandemonium (1996) and Views of
London (1997) ; 25 years of British Avant Garde at Tate Gallery, London (1991);
Beyond Destination at Ikon Gallery, Birmingham, UK (1994); Auckland Art Gallery,
Auckland, New Zealand (1996); Performing Bodies at Tate Modern, London, UK
(2000) ; Personal Space, A Century of Artists' Films in Britain at Tate Britain,
London (2003). In 2002 a major retrospective, Jigar, showcasing selected film
works of Alia Syed was organized by inIVA, London, UK travelling to Glasgow
Museum of Modern Art (GOMA), Glasgow, Scotland; The New Art Gallery in Walsall,
UK and Turnpike Gallery, Manchester, UK. Recently, in 2003, Eating Grass was on
view at The Space, inIVA in London, UK.
Alia Syed lives and works in London, England.
January 9 through February 24, 2003
Opening Reception with the Artist: Friday, January 9, 2003, 6-8 pm
For further information please call the Gallery at 212 673 3096 or visit
the website
TALWAR GALLERY
108 East 16 Street
New York, NY 10003