The contemporary visual arts event presents at inner-city and harbourside locations across Sydney, today revealed the work of more than 90 artists from 31 countries. "You Imagine What You Desire" celebrates the power of the imagination, with more than 200 artworks ranging from site-specific installations to sensory, multi-media projects, providing invigorating and mind-altering experiences for visitors of all ages. Curated by Juliana Engberg.
Sydney, Australia: The 19 th Biennale of Sydney: You Imagine What You Desire, curated by
Juliana Engberg and presented at inner-city and harbourside locations across Sydney, today
revealed the work of more than 90 artists from 31 countries.
Presented free to the public from 21 March until 9 June 2014, the Biennale of Sydney is Australia’s
largest and most respected contemporary visual arts event. The exhibition is presented across five
venues: Art Gallery of New South Wales, Museum of Contemporary Art Australia, Carriageworks,
Artspace, and World–Heritage listed former shipyard and prison, Cockatoo Island.
You Imagine What You Desire celebrates the power of the imagination, with more than 200 artworks
ranging from site-specific installations to sensory, multi-media projects, providing invigorating and
mind-altering experiences for visitors of all ages.
19 th Biennale Artistic Director Juliana Engberg commented: ‘You Imagine What You Desire is an
energy filled biennale that presents a grand multiplicity of things. It is an exploration of the world
and contemporary aesthetic experience through inventions, desires and propositions.
‘You Imagine What You Desire demonstrates the ways in which artists are active philosophers who
seek to engage the audience and viewer in an exploration of our world through metaphor, narrative
and poetry. They do this so that we might find inspiration in the sensations and intensities produced
by art, and so that we might, temporarily, step aside from our commonplace experiences and feel
something uncanny and unusual. Artists bring awareness to our world in transformation. They seek
the possibilities of better worlds.’
Cockatoo Island is billed as a ‘fantasy location’, showing a number of adventurous new commissions
and artworks for the first time in Australia. Inside the resonant Turbine Shop, Danish artist Eva Koch
presents I AM THE RIVER (2012), an all-encompassing projection of Gljufrabui, the Icelandic waterfall,
accompanied by a roaring soundtrack.
Danish artist duo Randi & Katrine have transformed a space in the Industrial Precinct on Cockatoo
Island into an anthropomorphised wonderland, in the style of a typical Danish village. Surrounded
by a city wall and with constructions designed to have human features – rooftops as hair, windows
as eyes, and doors for mouths – The Village (2014) promises to be a magical environment for
visitors of all ages.
Callum Morton uses the Dog-Leg Tunnel on Cockatoo Island as a readymade site for The Other
Side (2014) – an experiential, ghost train–inspired journey into the mysterious and spooky. Visitors
travel through the tunnel on a purpose-built train and experience a range of surprises devised by
the artist. Using light, sound, wind and smoke to create a type of black hole or deep universe, this
new creation is both magical and frightening.
The Museum of Contemporary Art Australia (MCA) presents works across two floors, including
a major site-specific immersive video installation by renowned Swiss artist Pipilotti Rist in the
double-height gallery space. Mercy Garden Retour Skin (2014) invites viewers to relax on
human-shaped pillows made from stuffed items of clothing, and descend into a sensual pleasure
world of vivid colour and light.
Glaswegian artist Jim Lambie has psychedelically transformed a large gallery space on Level 1
of the MCA with a pulsating Zobop work, using wildly coloured vinyl tape. The floor installation will
be accompanied by a number of sculptural works, including Psychedelic Soul Stick 68 (2007) and
Vortex (This Perfect Day) (2013), a circular sculpture that appears to be recessed into the wall of
the gallery.
Also at the MCA, acclaimed artist Douglas Gordon presents his large-scale installation and video
work Phantom (2007), seen for the first time in Australia. Gordon will deliver the 19 th Biennale Keynote
Address at the City Recital Hall on Friday, 21 March.
The newly expanded Carriageworks will present works that investigate the language, materials and
narratives of the theatre and film worlds. Audiences encounter large-scale works by Austrian artist
Mathias Poledna, Netherlands duo Broersen & Lukács and Dutch artist Gabriel Lester, whose
work Where Spirits Dwell (2014) features a life-sized log cabin complete with curtains and front
verandah. Examining elements of popular culture and the appropriation of golden-era American,
Poledna will present A Village by the Sea (2011). Shot in black and white on 35mm film, the production
replicates the style of a 1930s American musical.
Carriageworks and the Biennale of Sydney will also co-present the world premiere of a new work
by celebrated British artist Tacita Dean. Event for a Stage (2014) is a one-act theatrical presentation
that is both witnessed by a live audience, and later adapted and transmitted as a work for radio.
Event for a Stage will be presented across four nights at Carriageworks from 1–4 May.
The Art Gallery of New South Wales has transformed part of the Gallery into a forest, housing the
work of Chinese-born, Germany-based performance artist Yingmei Duan. As part of Happy Yingmei
(2014) visitors are invited to travel through the forest to meet and interact with Duan, who will
inhabit the installation dispensing prophecies and poetic observations throughout the 12-week
exhibition period. Australian (Bidjara) artist Michael Cook presents a new photographic series,
Majority Rule (2014), which asks us to ponder the impact and effects still suffered by Australian
Indigenous people, and what it may have been like had there been a friendlier, more humble and
understanding approach from the invaders who colonised this country.
Artspace returns as a venue partner for the 19 th Biennale, presenting works that trigger strange
encounters with time and ideological travel. Swiss-born, New York–based artist Ugo Rondinone
reveals primitive (2011–12), scattering the floor of the exhibition space with 59 birds cast in bronze,
all of different shapes, textures and personalities, and drawing the viewer’s attention back to the
world outside.
A 12-week education and public program is presented as part of the 19 th Biennale, with highlights
during the opening weeks, Middle Program and End Program. Further details can be found at
19bos.com.
ABOUT THE BIENNALE OF SYDNEY
The Biennale of Sydney is a non-profit organisation that presents Australia’s largest and most exciting
contemporary visual arts event. Held every two years, the Biennale is a three-month exhibition, with an
accompanying program of artist talks, forums, guided tours and family days – all FREE to the public.
The Biennale of Sydney was the first biennale to be established in the Asia-Pacific region and, alongside
the Venice and São Paulo biennales and documenta, is one of the longest running exhibitions of its kind.
Since its inception in 1973, the Biennale of Sydney has provided an international platform for innovative
and challenging contemporary art, showcasing the work of nearly 1600 artists from over 100 countries.
Today it ranks as one of the leading international festivals of contemporary art and continues to be
recognised for presenting the freshest and most provocative art from Australia and around the world.
The Biennale of Sydney gratefully acknowledges the generous support of the many organisations
and individuals that make the exhibition and its programs possible.
Image: Eglé Budvytytė, Choreography for the Running Male, 2012. Performance, 30 mins. Courtesy the artist. Photograph: Ieva Budzeikaite. Commissioned by Contemporary Art Centre, Vilnius
MEDIA CONTACTS
For interviews, imagery and further information please contact:
Oceania, Americas, Asia
Kym Elphinstone
T +61 (0) 421 106 139
E kym@articulatepr.com.au
Europe
Rhiannon Pickles
T +31 (0) 6158 21202
E rhiannon@picklespr.com
Venues
Artspace
43–51 Cowper Wharf Road, Woolloomooloo
Cockatoo Island
Cockatoo Island, Sydney Harbour
Carriageworks
245 Wilson St, Eveleigh NSW 2015
Around the City
17 York Street, Sydney NSW 2000, Australia
Museum of Contemporary Art Australia
140 George Street, The Rocks
Art Gallery of New South Wales
Art Gallery Road, Sydney