Artists' books, ephemera and documents from the Teixeira de Freitas Collection. The exhibition aims to propose new routes in to understanding some of the key artists and activities associated with art from the 1960s to the present day.
Curators: Luiza Teixeira de Freitas and Thom O'Nions
The exhibition An Infinite Conversation was designed as an addendum to the permanent exhibition of Museu Coleção Berardo, and presents a selection of artists' books, posters and other ephemera from the Teixeira de Freitas Collection. The exhibition illustrates the range of thought and process that surrounds art making and shows the various forms it can take, suggesting what is perhaps a more intimate view.
The French writer André Malraux once remarked that the art book is "a museum without walls," the material presented here often deals with this extension of the artwork outside of the gallery, through different channels of distribution and encounter. The temporary gathering together of this material within the walls of a museum allows a moment to reflect upon the nature of its movement through the world, how its dispersal is related to the spread of ideas and the spread of ideas and dialogues that underpins every artwork.
The display also tells us something about the nature of collecting itself. In the words of Jean Baudrillard, how the "everyday prose of objects is transformed into poetry, into a triumphant unconscious discourse." There is a dialogue that occurs between the two collections that helps to reveal their unique logic as well as the logic of the collection in general.
Organised into a series of rooms that reflect different aspects of the collection, the exhibition presents a wide variety of encounters, connections and dissonances that illuminate the rest of the museum's display in new ways. An artwork is an unstable thing and often what surrounds it reveals it. The for An Infinite Conversation aims to propose new routes in to understanding some of the key artists and activities associated with art from the 1960s to the present day. History is often greatly enriched by paying attention to its margins, and the distributed network of meaning and experience that this collection of books and ephemera represents is a compelling survey of the edges and of the spaces between the artworks that exist in the collection of the Museu Coleção Berardo.
Image: Vito Acconci, Will be at Hotel Earle, Washington Square North, Room 226, April 3 to 14, 6PM to 9PM. Each night – Continuing at Sonnabend Gallery, April 7-21, 10PM to 6 PM – Vito Acconci, 1973. Invitation, black and white; 17,7 x 11,8 cm. Teixeira de Freitas Collection.
Namalimba Coelho T. +351213612637 M. +351961750095 E. email@example.com
Opening: Thursday, July 10, 7pm
Museu Coleção Berardo
Praça do Império 1449-003 Lisbon