Judith Barry
Stan Douglas
Joan Jonas
Isaac Julien
Eva Meyer & Eran Schaerf
Constanze Ruhm
Critical Strategies in Performance, Film and Video. The artists in this exhibition make use of various theatrical elements - from character to voice, script, choreography and ritual - to question and re-vision society's existing scripts and histories. Works by Judith Barry, Stan Douglas, Joan Jonas, Isaac Julien, Eva Meyer & Eran Schaerf, Constanze Ruhm.
Judith Barry, Stan Douglas, Joan Jonas, Isaac Julien, Eva Meyer & Eran Schaerf, Constanze Ruhm
From August 22 to November 2, 2014, the Centre for Contemporary Art
Singapore (CCA) will present /Theatrical Fields /which introduces
/theatricality /as a critical strategy in performance, film and
video. The exhibition is scheduled to coincide with the Singapore
International Festival of Arts (SIFA).
The video installations by the following key artists in Theatrical
Fields will be shown for the first time in Southeast Asia: Voice off
(1999) by Judith Barry, USA; Suspiria (2003) by Stan Douglas,
Canada; Lines in the Sand (2002) by Joan Jonas, USA),
Vagabondia (200) by Isaac Julien, UK; She Might Belong to You
(2007/2013) by Eva Meyer & Eran Schaerf, Germany Israel; X
Characters Re(hers)AL (2003/4) by Constanze Ruhm, Austria.
The Exhibition: Theatrical Fields – Critical Strategies in
Performance, Film and Video
In this exhibition, theatricality is not conceived strictly as
a phenomenon in theatre, rather, it points to the 'constructedness' of
everyday life. Theatrical forms make visible how our realities are
staged and also how our histories are constructed and performed. The
artists in this exhibition make use of various theatrical elements –
from “character” to “voice”, “script”, “choreography” and “ritual” – to
question and re-vision society’s existing scripts and histories.
Theatricality also refers to the meeting point between theoretical
reflection and theatrical spectatorship through their common etymology.
The concepts “theatre” and “theory” share etymological roots: both are
derived from the Greek word “thea”, which means “to see”. /Theatrical
Fields /evokes this deep-rooted connection between theatre and theory;
In this conception, theory suggests an act of contemplation of something
that unfolds in front of our eyes. In order to see something clearly,
one needs to take a step back and contemplate it at a distance, like a
spectator watching a play in the theatre.
Theatrical Fields, curated by Ute Meta Bauer with Anca Rujoiu, was
first presented and commissioned by Bildmuseet, Umea in Sweden (2013).
At Bildmuseet it included the installation /Sister Squares/by Marcel
Dzama (Canada), and featured films by Marie Louise Ekman (Sweden) and
Ulrike Ottinger (Germany), along with posters and artist books.
/Reanimation,/a live performance of Joan Jonas with jazz pianist Jason
Moran (USA), was presented at the Umea Jazz Festival.
In 2015 a catalog including keynotes from the symposium and commissioned
essays will be published collaboratively by Bildmuseet Umea and CCA.
Public Programmes
A series of public programmes willexplore the notion and potential of
theatricality as a tool to question and rewrite existing scripts and
histories.
A one-day (Saturday August 23, 2014) symposium, moderated by SIFA
artistic director Ong Ken Seng and CCA curator Anca Rujoiu will explore
/Theatrical Fields /viewed from different perspectives. The symposium
will feature keynotes by Timothy Murray, Professor of Comparative
Literature and English, Cornell University; writer and filmmaker Eva
Meyer, followed by a roundtable with artist Eran Schaerf, Katarina
Pierre, Director Bildmuseet, Umea, and Ute Meta Bauer, Founding Director
of CCA.
Artist Judith Barry will give a public talk and host a workshop with the
support of the School of Art, Design and Media, NTU (ADM)
Artist Isaac Julien will run a series of masterclasses at the School of
the Arts, Singapore (SOTA).
For more information, please check CCA’s page on Gillman Barracks
website and Facebook account:
www.gillmanbarracks.com/cca
www.facebook.com/CentreForContemporaryArt
CCA – Centre for Contemporary Art Singapore
The Centre for Contemporary Art is a research centre of Nanyang
Technological University, developed with support from the Economic
Development Board, Singapore. Located in Gillman Barracks alongside a
cluster of international galleries, the CCA operates as a local hub with
an international perspective under the leadership of its Founding
Director, Professor Ute Meta Bauer. The CCA embraces academic and
scholarly research with contemporary art as knowledge production in its
own right, taking a holistic approach towards art and culture by
intertwining its three platforms: exhibitions, residencies, and research.
Nanyang Technological University (NTU)
A research-intensive public university, Nanyang Technological University
(NTU) has 33,500 undergraduate and postgraduate students in the colleges
of Engineering, Business, Science, and Humanities, Arts, and Social
Sciences. It has a new medical school, the Lee Kong Chian School of
Medicine, set up jointly with Imperial College, London. NTU is also home
to world-class autonomous institutes—the National Institute of
Education, S Rajaratnam School of International Studies, Earth
Observatory of Singapore, and Singapore Centre on Environmental Life
Sciences Engineering—and various leading research centres such as the
Nanyang Environment and Water Research Institute (NEWRI), Energy
Research Institute @ NTU (ERI@N), and the Institute on Asian Consumer
Insight (ACI). A fast-growing university with an international outlook,
NTU is putting its global stamp on Five Peaks of Excellence: Sustainable
Earth, Future Healthcare, New Media, New Silk Road, and Innovation Asia.
Besides the main Yunnan Garden campus, NTU also has a satellite campus
in Singapore’s science and tech hub, one-north, and a third campus in
Novena, Singapore’s medical district.
Image: Isaac Julien, /Vagabondia/(2000). Installation view, The Turner Prize (2001), Tate Britain, London. Courtesy of the artist and Victoria Miro Gallery, London
Media Contacts
For inquiries about/Theatrical Fields /contact:
CCA Communications
Anca Rujoiu
+65 6684 0998
a.rujoiu@ntu.edu.sg
CCA – International Press Officer / segeband.pr
Denhart v. Harling
+49 179 4963497
dh@segeband.de
For inquiries about NTU, Singapore:
Feisal Abdul Rahman
NTU Corporate Communications Office
+65 6790 6687
feisalar@ntu.edu.sg
Media Preview: Friday August 22, 11 am, CCA, Block 43
Symposium: Saturday August 23, 10-4 pm, TheatreWorks, 72-13 Mohamed Sultan Road, Singapore 239007
Centre for Contemporary Art
Block 43 Malan Road, Gillman - Barracks, Singapore 109443
Exhibition Opening Hours: Tue. – Sun. 12–7 pm; Fri. 12–9 pm; Closed Mon
Admission: Free