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5/9/2014

Orlan

Galerie Michel Rein, Paris

"Orlan's works are prisms of diverging issues, which refuse any unique perspective. As if each one of her projects were inconsiderably loaded with all of her preoccupations: technology and feminism, art history and surgery, football and religion, sex and politics. The artist gives priority to the wild polysemy of the image rather than the precision and prudence of "sure work." Duplicity? Worse: multiplicity. ORLAN is a plural minority. This is problematic when one fears nothing more than that which is complex, imperceptible in a single gesture of thought. Literally un-kissable. Unless these disparate issues are different creases in a unique model of resistance

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