The first part of the exhibitions within this series is curated by Andrea Winklbauer (critic, curator, Vienna). She detected various forms of Suspense in the works of Siegfried A. Fruhauf (A), Gabriele Steidinger (D), Kerstin Cmelka (A) and Nives Widauer (CH). Nives Widauer's photography of moon shaded landscapes was taken with an analogue camera in full moon nights, without digital post-processing. They show a phenomenon of nature that is not visible to the naked eye. The picture's suspense emerges from the tension between the ideas of Romanticism and their visualisation and aesthetisation with the camera.
NIVES WIDAUER
curated by ANDREA WINKLBAUER
EXHIBITION SERIES SUSPENSE :
SEPTEMBER 2003 to DECEMBER 2004
The first part of the exhibitions within this series is curated by Andrea
Winklbauer (critic, curator, Vienna). She detected various forms of Suspense
in
the works of Siegfried A. Fruhauf (A), Gabriele Steidinger (D), Kerstin
Cmelka (A) and Nives Widauer (CH).
In succession, the exhibitions will feature artists and curators from
Germany, Austria, Slovenia, Italy, and Switzerland.
ANDREA WINKLBAUER on the theme of SUSPENSE:
"Suspense" is known from the area of film. With this term, its master,
Alfred Hitchcock, defined the basic tension, which he triggered through skilled
manipulation. In Hitchcock's films, "Suspense" develops its own poetry, the
poetry of a major artwork.
If you examine works of visual art with regard to this phenomenon, you will
find an interesting pattern: "Suspense" can always be located where the
artistic concept is fulfilled, when the work reaches an intensity from which it
is
impossible to withdraw. Suspense is not a narrative stance. Simliar to
Hitchcock, the artist has to be able to trigger an effect in the spectator,
which
surpasses the mere perception of the artwork. "Suspense" is an intensity of
that kind. It is not necessarily required that the content of a work equals
this tension.
The exhibition series unites exemplary works of four artists who create
"Suspense" in various ways. During the selection it has been important to take
into account the origin of this term from the medium of film and simultaneously
emphasize it as an important element of visual art.
Nives Widauer's photography of moon shaded landscapes was taken with an
analogue camera in full moon nights, without digital post-processing. They show
a
phenomenon of nature that is not visible to the naked eye. The picture's
suspense emerges from the tension between the ideas of Romanticism – connected
to the night, the moon and their secrets – and their visualisation and
aesthetisation with the camera.
Nives Widauer: short biography
Born 1965 in Basel (Switzerland). Studies on History and Art History at the
Basel University. From 1987 studies at the School of Design in Basel. Travel
to Japan, Australia and the South Pacific. Various single and group
exhibitions. Installations for theatre sets. Nives Widauer lives in Basel and
Vienna
(Austria).
In the image a frame from 'pipe dreams' 2002.
OPENING: Wed, 10 March 2004, 19.00
Andrea Winklbauer
Leitgebgasse 11/15
1050 Wien
+43-(0)699-19 13 68 69
Kunsthalle 8
schadekgasse 6-8
Wien