The exhibition focuses on the work of six Russian women who, in the first quarter of the twentieth century, made significant contributions to the development of modern art: Alexandra Exter, Natalia Goncharova, Liubov Popova, Olga Rozanova, Varvara Stepanova, and Nadezhda Udaltsova. It will feature more than 70 paintings and works on paper, which have been drawn from more than 30 public and private collections, including 16 Russian regional museums.
The exhibition focuses on the work of six
Russian women who, in the first quarter of
the twentieth century, made significant
contributions to the development of modern
art: Alexandra Exter, Natalia Goncharova,
Liubov Popova, Olga Rozanova, Varvara
Stepanova, and Nadezhda Udaltsova. It will
feature more than 70 paintings and works
on paper, which have been drawn from
more than 30 public and private collections,
including 16 Russian regional museums.
Many of these works are being shown for
the first time in the West. Structured around
surveys of each of the artists' discrete but
related oeuvres, the exhibition will trace the
evolution of modern Russian art.
While the remarkable aesthetic
achievements of the early twentieth-century
Russian avant-garde have been
well-documented in recent years, one
essential component still remains to be
recognized: the unprecedented number of
women artists actively involved in the
movement. Never before in the history of
Western art had women played so vital a
role in the formation of a radical cultural
enterprise, one that redefined traditional
aesthetic values and remapped age-old
divisions between art and life. The six artists
featured in this exhibition all shared what
one of them, Olga Rozanova, described as a
drive to discover wholly new bases of artistic
creation. This drive led the artists to develop
original, independent modes of working
within the fine and applied arts.
The art of the Russian avant-garde
flourished from the turn of the century
through the mid-1930s and was one of the
most vital and prolific chapters in the history
of modern art. The range of invention and
artistic practices represented by the different
movements and schools that emerged
under its aegis remains unparalleled today.
Russian art of the early twentieth century
was informed both by an assimilation of
European vanguard ideas such as Dada,
Futurism, and Cubism and by indigenous
traditions such as folk and primitive art.
Moreover, Russian modernism was
inherently non-hierarchical, with many artists
exploring ideas in painting at the same time
they were involved with design for the
applied arts, theater, film, fashion, and the
graphic arts.
Exter, Goncharova, Popova, Rozanova,
Stepanova, and Udaltsova did not
necessarily formulate or champion the same
social and political ideologies. Just as the
Russian avant-garde was a collection of
disparate styles and viewpoints, these artists
were of different philosophical schools and
had different social aspirations and aesthetic
convictions. What united them was their
support for the idea of cultural renewal and
their rejection of what they considered to be
outmoded aesthetic canons.
Organization: The exhibition is co-curated by
John E. Bowlt, University of Southern
California, Los Angeles; Matthew Drutt,
Solomon R. Guggenheim Museum, New
York; and Zelfira Tregulova, independent
curator, Moscow.
Exhibition Tour: Organized by the Solomon
R. Guggenheim Museum for Deutsche
Guggenheim Berlin, where it opened to
critical acclaim in July 1999, the exhibition
will travel to the Royal Academy of Arts,
London, the Peggy Guggenheim Collection,
Venice, and the Guggenheim Museum Bilbao.
Its final presentation will be at the Solomon
R. Guggenheim Museum, New York.
Publication: The exhibition is accompanied by
a fully illustrated catalogue, edited by John E.
Bowlt and Matthew Drutt, and features
essays by Natalia Adaskina, Charlotte
Douglas, Ekaterina Dyogot, Laura Engelstein,
Nina Gurianova, Georgii Kovalenko,
Alexander Lavrentiev, Olga Matich, Nicoletta
Misler, Vasilii Rakitin, Dmitrii Sarabianov, and
Jane Sharp. It will be available in German,
English, and Italian.
Funding: The international tour of this
exhibition is made possible by Deutsche
Bank.
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