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31/7/2015

Inhabited Beings

Clark House Initiative, Bombay

In a society where gender decides on your freedoms a certain inhibition of one's self manifests in a loss of self ownership. Many woman face such an existence in South Asia, their lives decided by male counterparts, most decisions forced, misogyny manifests mostly in violent forms of suppression.

Tejswini Sonawane born in a family of sisters, often lost the freedoms she enjoyed within her home once she stepped out on to the streets of Sholapur, her hometown. Encouraged by few for her uncles she joined the Sholapur Drawing College to pursue a career in art. She was unsure with her vocation and her practice until she enrolled for a Masters in Printmaking at the Sir JJ School of Art. Initially living in a hostel for girls she began to evaluate her life and the role of her father in her decisions. Then she began morphing self portraits by super-imposing images of animals. Printmaking allowed her to edit and impose through the use of various surfaces and troughs created by deeper etches. Sonawane dislikes animals but she uses their f orms to distort human faces, she believes misogyny expresses and inhabits in our expressions through animal metaphors. Screeches of a cat became her expression of revolt against a patriarchal wish that disregarded her as an artist but rather wished she were married to man she did not know.

Graduating from the JJ School of Art she lost her place at the hostel and relocated to Dharavi to live among her relatives. Here she lived within the stink of putrid drying animal skin reminding her of Sholapur. Her community the Dhor, traditionally animal skin tanners who purchase skin from butchers, tanning them for cobblers. Within a small tenement living with her uncle's family people were up-close throughout the day. Thats when she began working on her solo, sometimes etching scenes from her days babysitting her sister's daughter entertaining her with conversations she strung up with a feral cat, or making portraits of a weeping younger sister - who was often ridiculed by others for her weight.

82 gum-bites, deep etches and dry points form the body of a solo debut using morphed animals that are surreally stretched. Portraits of cats, cows and dogs take on human anatomies while their expressions inhabit ours. Grisaille and rust renderings of colour remind us of the zinc and copper plates used to register these images, giving them a tonal quality that softens their dramatic content. The 'Jatakas' became popular in Maharashtra as tales that followed a courageous socio-political movement against caste exploitation. These Buddhist tales through animals reminded humans of their virtues and failings, Sonawane somewhere revisits these traditions to narrate stories of comic ignorance.

Sumesh Sharma
Clark House Initiative
Bombay 2014

Tejswini Sonawane (1987) Sholapur lives between Bombay and Sholapur - where she runs an etching press. She began her foundation course at the Sholapur Drawing College thereafter a BFA at the Bharatiya Vidyapeeth in Pune and followed by MFA Diploma in Printmaking at the Sir JJ School Art Bombay, graduating in 2013. Her prints have been published in the past for the 'Sabavala Portfolio', 2011, 'Auguries JJXXI' ,2011 and 'Awaiting Reddy' 2012.

Shinobu Mikami
Solo Debut
Somehow tuned

Affinity makes one less lonely, sympathy let her/him unite with the others. Compassion, imagination, synchronisation, whatever is the way one takes, we can understand each other if we are willing to.

It is not that I always work with the same theme, circumstances influence my thought very much. I used to work with broken and abandoned objects in another country but here in India, it is difficult to find broken and abandoned objects as they are not abandoned even if they are broken. People repair them in very original way or use as they are. They don't consider them as broken so they don't abandon. I found that what is abandoned here in this country is less privileged people. They have come in some of the works shown here “Somehow tuned” and “Fortunate one and unfortunate one”.

Second thing which was abandoned in the last few years was my self, actually. So some personal visions are also in some of the works like “Conte bleu”. About myself as a Japanese individual, I have already wrote a lot in the work “Letters”, so let me skip it here.

The works in this show are the accumulations of the attempt in the last few years to somehow let the abandoned, unheard things speak. The way how it sounds will vary, depending on the experiences of the people who see them.
Shinobu Mikami , Bombay 2015

Preview: Saturday August 1 2015 6 - 8 pm

Special View 5 - 7 pm , 7 August 2015 before 'Curating Kochi-Muziris Biennale' panel discussion between Sudarshan Shetty, Bose Krishnamachari, Riyas Komu & Prajna Desai at 7.15 pm, National Gallery of Modern Art, Sir Cowasji Jehangir Hall, MG Road, Fort, Bombay.

Clark House Initiative is a curatorial collaborative and a union of artists based in Bombay.

Clark House Bombay c/o RBT Group
Ground Floor, Clark House, 8 Nathalal Parekh Marg (Old Wodehouse Road), Bombay 400039
open all days except Monday.

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