Liu Xiaodong
dal 11/9/2015 al 17/10/2015
Segnalato da
11/9/2015
Liu Xiaodong
Faurschou Foundation Beijing, Beijing
Diary of an Empty City. The exhibition shows a body of work painted live on location during the summer of 2015 entitled Diary of An Empty City. Liu Xiaodong has long been fascinated by the Chinese phenomenon of the 'ghost city' as frequently portrayed by the Western press and urban planning aficionados.
Curated by Jérôme Sans
Following the acclaimed Liu Xiaodong survey exhibition "Painting as shooting," presented at the Cini Foundation for the Venice Biennale, Faurschou Foundation is pleased to show, for the first time in its Beijing space, the artist's most recent series of works, created during his stay in Ordos, Inner Mongolia.
The exhibition shows a body of work painted live on location during the summer of 2015 entitled Diary of An Empty City. Liu Xiaodong has long been fascinated by the Chinese phenomenon of the "ghost city" as frequently portrayed by the Western press and urban planning aficionados, and has chosen a propitious location in Ordos, Inner Mongolia to set his latest scene for live painting and reflection on the Chinese dream life and dream city environment.
Ordos is situated in the center of a region which holds some of the largest deposits of coal in China, and has been transformed in record time from one of the poorest areas of China to one of the wealthiest. Local farmers and miners have become the protagonists of rags-to-riches stories as regional and city governments have built their dream city. Although it is a giant metropolis with an amazing infrastructure, including condominium towers, shopping malls, a museum and high-speed trains, Ordos remains a place mysteriously empty, its population totalling approximately 20,000 inhabitants. It is a city without residents—an unfinished plan, a paradoxical place where the realization of a modern dream society in terms of urban infrastructure lacks only the inhabitants to live their fulfilled dream life.
Liu Xiaodong investigates the ideal of the dream life within the context of the reality of the current Chinese lifestyle, discreetly asking, "What is our dream?"
Could the Chinese common man's search for his dream existence in some ways be an unattainable mirage?
Liu Xiaodong asks: "A ghost city or a crowded city—which is better?"
Biographies
Liu Xiaodong (1963) lives and works in Beijing. He holds a BFA and an MFA in painting from the Central Academy of Fine Arts, Beijing (1988-1995). The artist gained recognition in the 1990s and represents the Chinese Neo-Realism style. His solo exhibitions include Kunsthaus Graz, Austria (2012) and Ullens Centre for Contemporary Art, Beijing (2010), while his work was also shown in various group exhibitions such as the Shanghai Biennale (2000, 2010), the 15th Biennale of Sydney (2006) and the 47th Venice Biennale (1997).
Jérôme Sans is an internationally renowned curator, art critic, artistic director who has curated numerous major exhibitions around the world. He was the former director of the groundbreaking Ullens Centre for Contemporary Art in Beijing and co-founder of the acclaimed Palais de Tokyo in Paris. He is currently co-artistic director of one of the most important urban development projects in Europe, the Grand Paris Express, and co-founder of Perfect Crossovers ltd., a Beijing-based cultural consultancy group.
Image: Liu Xiaodong in Ordos, 2015. Courtesy Liu Xiaodong Studio
Opening: 12 September, 4pm
Faurschou Foundation Beijing
798 Art District
No2 Jiuxuanquao Road
Chaoyang District. Beijing
Hours: Tuesday–Sunday 10am–6pm