Creative and political processes come together in installations that reference current social issues of local and global significance. With Sophie Bouvier Auslander, Ellie Harrison, Monika Oechsler, Naomi Siderfin.
‘Harnessing the Wind’ is a metaphor for the difficulties of capturing process: difficult but not impossible
-
as the
image of the wind turbine embodies.
Creative and political processes come together in installations that reference current social issues of local and global significance, whilst
remaining
absorbed in the
languages of
contemporary visual culture.
Swiss artist Sophie
Bouvier Ausländer dwells on the destructive force of wind, thinking
of populations
being propelled by one wind of change into the eye of another storm. Barbed wire forms the structural
base for
Bouvier Ausländer’s
new sculptural work for Beaconsfield’s Upper Gallery.
The
idea recalls
British Prime Minster Harold Macmillan
’s famous ‘Wind of Change’ address in 1960 on the subject of
decolonization.
Ellie Harrison works with political activism as her form and content. Harrison’s project
-
in
-
progress,
Radical
Renewable Art & Activism Fund
(RRAAF) has re
-
imagined the renewabl
e energy of wind power as a
regenerative source of arts funding. RRAAF
will be developed during the course of the exhibition to include
public think
-
tank meetings
and digital displays in Beaconsfield’s Lower Gallery,
lending
literal currency to the
theme.
Pioneer of large
-
scale video installation, Monika Oechsler brings together a series of new films for
Beaconsfield’s Arch Gallery. Focusing on ideologically significant architecture in Germany and Britain, the work
points towards the temporal aspects of h
istorical constructs and the shifting symbolism and politics of iconic
monuments in contemporary life.
In her role as artist
-
curator,
Naomi Siderfin is interested in capturing the diverse processes and
meanings embedded in
creative acts of art
making
. Her
own
installation in the Upper Gallery
references the original site that triggered the exhibition
–
a wind farm in Essex
–
through
drawing and
painting
(in the
widest possible sense).
Harnessing
the Wind
arrests, for the space of an exhibition, the imaginations of four artists working in
a range of mediums
:
paint
ing
, video,
sculpture
, social media,
sound, public engagement
–
and
memory,
and
,
in so doing
,
captures a breath of
zeitgeist
–
the spirit of our time.
Celebrating 20 years on Newport Street, Beaconsfield welcomes in the same week, new neighbours
launching with a major exhibition of works by John Hoyland
–
‘Power Stations’
–
inaugurating Damien Hirst’s Newport Street Gallery.
Image: Monika Oechsler, Shadow Empire, 2015
Press contact:
Gabriela Cala-Lesina, Projects and Development Manager gabriela@beaconsfield.ltd.uk 020 7582 6465
Press Preview: Tuesday 6, 7pm with curators tour at 6.30pm. RSVP essential.
Preview: Tuesday 6 October 7-9pm
Beaconsfield
22 Newport Street London, SE11 6AY
Opening times:
Wednesday – Saturday 11am–5pm
Open until 9pm during Frieze Week 15 – 17 October
Open until 9pm for SLAMFridays 30 October and 27 November