Images Out of Time. The show, running concurrent with the J. Paul Getty Museum retrospective, features a wide range of Teske's work, stretching from early black-and-white documentary images of street scenes and found objects, to impressionistic red-grey-brown duotone solarizations, to his signature surreal images that beautifully blur the lines between reality and fantasy.
IMAGES OUT OF TIME
Edmund Teske: Images Out of Time explores work of the celebrated Los
Angeles-based photographer Edmund Teske (1911-1996) at the Stephen Cohen
Gallery, July 8 through August 28. The gallery is located at 7358 Beverly
Boulevard and is open TuesdayÂSaturday, from 11a.m. to 5 p.m., and by
appointment.
The show, running concurrent with the J. Paul Getty Museum retrospective,
features a wide range of Teske's work, stretching from early black-and-white
documentary images of street scenes and found objects, to impressionistic
red-grey-brown duotone solarizations, to his signature surreal images that
beautifully blur the lines between reality and fantasy.
A pioneering visual artist, Teske was born in Chicago in 1911, where his
childhood interest in photography grew into a 60-year pursuit of artistic
freedom. His early training at Taliesin with Frank Lloyd Wright in the 1930s
offered Teske important early inspiration from the master himself, and new
ways of thinking about and seeing art.
After moving to Hollywood in 1943, Teske's work took a unique turn. A
contemporary of photographers Alfred Stieglitz, Berenice Abbott, Paul
Strand, and Laszlo Moholy-Nagy, Teske distinguished himself by his
experimental alchemy in the darkroom as much as by his visual acuity behind
the lens. Mixing various concentrations of photo chemicals and then blasting
intense concentrations of light onto high-contrast paper, Teske created
dramatic color stains and streaking effects. The results of this
imaginative, one-of-a-kind solarization process give many of Teske's images
a smoky, burnt umber, atmospheric quality where the image looks more like a
tonal painting than a photograph.
Teske's deepening interest in Hindu Vedantic philosophy (which affirms the
oneness of existence, divinity of the soul, and harmony of religions) is
reflected in his increased experimentation with composite printing
techniques (the sandwiching of multiple negatives), which characterized his
mature work. These extraordinary unique, surreal photographs reconfigure our
conventional ideas about time and space into a new visual and emotional
reality.
His photographs are in the collections of the J. Paul Getty Museum, LACMA,
Museum of Modern Art (NY), San Francisco MOMA, Norton Simon Museum, and the
Boston Museum of Fine Art among others.
>From his abstractions and portraits of the Hollywood glitterati (including
Jim Morrison of the Doors), to figure studies and architectural tributes to
mentor Frank Lloyd Wright, Teske's versatile work transforms our visual
perceptions.
A new Getty publication, "Spirit into Matter: the Photographs of Edmund
Teske" by Julian Cox, will be available at the gallery on opening night.
Stephen Cohen Gallery
7358 BEVERLY BOULEVARD, LOS ANGELES, CA 90036