Documentary is a new body of paintings, drawings and prints of birds and bird watching hides by Ross Hansen.
photorealist paintings and drawings by Ross Hansen
Documentary is a new body of paintings, drawings and prints of birds and
bird watching hides by Ross Hansen.
In this exhibition, paintings of birds reveal themselves for what they are:
painted copies of photographic images. It is hoped that the viewer will be
able to trace the history of the image and recognise the finished work as
something made in time, and taken from a printed photograph.
The images Hansen has chosen to work with for this exhibition are
reproductions sourced from second hand encyclopaedias or natural history
picture books - images that, crucially, pre-date digital enhancement
technologies and so are mediated only by the photographers lens and the
printers ink. In copying these images, Hansen exposes their modes of
production, reveals the levels of mediation and the extent of his own
intervention. These paintings do not, however, make authorial statements but
rather highlight Hansen¹s failure to be objective by honestly referencing
his role as a producer
Works such as 24 Hour Painting - painted, without breaks, over a 24-hour
period - or, A Month of Sundays -
painstakingly drawn with coloured pencils - explore the desire to record his
own presence, as much as that of the observed subject; to acknowledge the
role of the maker and highlight the often mundane and laborious nature of
his practice.
The paintings and prints of bird watching hides, conversely, attempt to
destabilise the history of their production; Hansen¹s use of graphic
techniques, composite images and edited photographs in these works show his
intervention in the entire process of production and so highlight further
the fictions inherent in all photo painting.
Image:
A Month of Sundays
pencil crayon on paper
152x114cm, 2003
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