Pray For My Beautiful Lost Cause. The artist presents a collection of work initiated from found objects and images. Among these things saved from obscurity is a pair of 12-point stag antlers, found in a local junk shop. Krokatsis has cast them in solid aluminium and mounted them onto a section of rubber-coated georgian panelling.
Pray For My Beautiful Lost Cause
Krokatsis presents a collection of work initiated from found objects and
images. Among these things saved from obscurity is a pair of 12-point stag
antlers, found in a local junk shop. Krokatsis has cast them in solid
aluminium and mounted them onto a section of rubber-coated georgian
panelling.
Stag antlers, once a trophy laden with symbolic significance of privilege
and dominance of nature's potency, now hold only a shallow echo of this.
Krokatsis has revived this devalued object, using its fluctuating status to
create a sculpture which, despite its physical solidity, has a displaced
nervous beauty that cannot be easily familiarised.
Showing alongside this work are large drawings on paper made with the
residual smoke from burning rags, and two small paintings made in a similar
fashion on wax; the heat from the flames softens the wax to suck in the
smoke before solidifying.
This unpredictable technique is used to conjure up a group of seemingly
disparate images - Russian royals at leisure, a sedan chair carried by
serving boys (both images suggesting privileged lives no longer kept in
play) and two images of prone figures receiving medical treatment, that
nevertheless, all evoke a similar sense of vulnerability.
For all the interplay of symbolic significance and contingency, for all the
layers of meaning that are hinted at, his work is clearly not a conduit for
an overlaid narrative; as Krokatsis says Å’this is not art to make sense of
the world  it is an act of faith, it¹s art as a spell¹
.
Krokatsis recently showed at the South London Gallery and Talbot Rice
Gallery, Edinburgh, in the CAS Showcase. He exhibits in Denmark, Germany and
Switzerland.
Private View. Friday 27 May. 6.30-9.00
David Risley Gallery
45 Vyner Street - London
Thursday  Sunday. 12.00  6.00 or by appointment