Room. The artist will be transforming the space into her own room, a magical fairytale cell, choc-a-bloc with her work and artefacts. During opening hours she will be resident in the gallery, making work in a performance that will be webcast on the gallery's website.
Room
For her first solo show, the Romany artist Delaine Le Bas will be
transforming Transition into her own room, a magical fairytale cell,
choc-a-bloc with her work and artefacts. During opening hours she will
be resident in the gallery, making work in a performance that will be
webcast on Transiton's website.
For Le Bas, work and daily home life are inextricably linked. Like a
magpie stealing glittering things and taking them to her nest, she
utilises a multitude of different media - found objects, painting,
film, drawing, embroidery, sculpture and video which she dis/assembles
and re/arranges into a unique multi-layered, biographical bricolage all
within the confines of her own home.
Delaine’s Romany Gypsy heritage is inherent within her work, which as a
contemporary artist has been something of a double-edged sword, both
fuelling her and holding her back. She is perceived by the art world as
an outsider artist – naïve and folk orientated like some glittering
bauble. However her work reclaims and subverts its own decorative
‘folklorist’ aesthetic by exploring her struggles to escape the
confining stereotypes of the colourful Gypsy naïf. The ‘prettiness’ of
her work draws viewers in only then to reveal what lurks beneath the
surface – childhood terrors, mutated figurines and expressions of her
own feelings of interior rage.
Delaine’s webcast ‘work’ performance from within Room is a satirical
comment on her role within the outsider art community. Whilst she is
being viewed by the gallery visitors she will be putting the viewer in
the uncomfortable position of voyeur as the viewers are themselves
watched via the web cast - voyeur turned subject.
The current political climate in the UK has included a particularly
nasty xenophobic focus on Gypsies, with the tabloid press stirring up
hysterical popularist fears. Delaine uses this swelling of confused
feelings to confront people with their own fears, neither dismissing or
compounding them but more waiving them in our faces.
Delaine Le Bas lives in Worthing and has shown extensively both in the
UK and internationally, including at International Festival d'Art
Singulier 2004 in Roquevaire, France and Error and Eros: Love Profane
and Devine at the American Visionary Art Museum, Baltimore, USA. Her
work was previously shown at Transition in 2004 in Girl on Girl
alongside that of Stella Vine and Liz Neal. Room has been supported by
The Arts Council, Thomas Acton, professor of Romani studies at The
University of Greenwich, Cole and Co wallpapers and Madeira embroidery
threads.
Private View: Friday 3 June, 7-9pm
Transition
110a Lauriston Road - London
Opening Hours - Friday – Sunday 1-6pm