The artist's multi-screen installations transform daily experience into epic drama and sensual intimacy. Her recent works combine scenes of human interaction with the landscape, gathered from several locations. The artist has made a new piece which explores our romanticism and domination of the rural landscape.
Multi-screen installations
One Severn Street announces the concluding exhibition at the temporary project
space in Birmingham. Anna Lucas’ multi-screen installations transform daily
experience into epic drama and sensual intimacy. Her recent works combine
scenes of human interaction with the landscape, gathered from several
locations.
For One Severn Street, Lucas has made a new piece which explores our
romanticism and domination of the rural landscape. ‘Paloma Ceffyl’ is derived
from Lucas’ video archive and brings together scenes caught by chance rather
than searched for or constructed. This is Lucas’ first exhibition to combine
video on this scale, rather than film. The deliberate move from film to video
in this instance allows the opportunity to engage with an intimate ‘found’
moment for a longer period of time.
Paloma (Spanish for pigeon) and Ceffyl (Welsh for horse) make a linguistic
reference to the country in which each is filmed. Lucas has captured footage
during working trips to diverse agricultural locations including Wales, the
‘plasticultura’ area of Southern Spain and the sugar plantations of Mauritius.
Included in this installation is an image of a horse being massaged by a
woman. The camera reveals a sensuous and trusting moment as the woman’s hands
move across the horses neck and torso. The apparent tenderness and physicality
is intensely suggestive, and further dramatised by the fall of light and
intimacy with which the camera explores the scene. Lucas provides us with the
privileged position from which to consider their relationship more closely.
Another scene reveals a group of amateur pigeon breeders gathering their
multicoloured hand dyed birds. The mutual acceptance and willingness to
participate in this relationship is clearly visible. In contrast, on another
screen a pack of horses are chased away from the headlights of a car and
driven into the darkness. Elsewhere two boys build a fire in the woods, while
a raging fire sweeps through a field of sugar cane. We are at once reminded of
the tenuous link between our primitive need for food and warmth, and the wider
implications resulting from our indulgences. These images offer different
viewpoints from which to reconsider our interaction with animals, and
ultimately our relationship with nature.
The combination of works that form this installation create a collective
dialogue, and propose an evolving composition of moving images. Lucas’
considered placing of screens, rich filmic sensibility and playful use of
scale enable the viewer to engage with the work on an intimate and monumental
level, whilst heightening the intangible drama of a found moment.
One Severn Street is a temporary project space for Birmingham dedicated to the
commissioning and presentation of artists’ film and video. Saki Satom (Japan),
Sabrina Mezzaqui (Italy) and Anna Lucas (UK) have been invited to exhibit new
and previously unseen works in a sequence of three solo exhibitions, running
from April – July 2005.
Preview Friday 17 June 2005, 6 - 8pm
One Severn Street
The Mailbox - Birmingham
Opening hours are Tuesday to Saturday 12 – 6pm