William Basinski
James Elaine
Libby Black
Elliott Hundley
Ansel Krut
David X. Levine
Charlotte McGowan-Griffin
Group exhibition. William Basinski & James Elaine, Libby Black, Elliott Hundley, Ansel Krut, David X. Levine, and Charlotte McGowan-Griffin. Each artist employs paper as a counterpart to paint, colored pencil, ink, and even music or light. The works have a theatrical involvement with paper. It is the star of these works, playing a demanding role instead of passively acting as a precious surface for images.
A group exhibition celebrating
the power of paper in contemporary art, featuring artists William Basinski &
James Elaine, Libby Black, Elliott Hundley, Ansel Krut, David X. Levine, and
Charlotte McGowan-Griffin.
Paper is everywhere in daily life and mostly maintains a level of very
pedestrian quality, however in art it is elevated to the bearer of
purportedly important images. Responding to current enthusiasm for works on
paper and sculpture, cherrydelosreyes presents an exhibition where paper
holds the power and integral focus of the art. The works in Paper Beats Rock
were all chosen for their varied relationships with paper and diversity of
uses.
As in the international hand signals game 'rock, paper, scissors', paper
beats rock because it is ultimately more malleable than rock and covers it.
Each artist employs paper as a counterpart to paint, colored pencil, ink,
and even music or light. The works in Paper Beats Rock have a theatrical
involvement with paper. It is the star of these works, playing a demanding
role instead of passively acting as a precious surface for images.
William Basinski and James Elaine produced a collaborative super-8/video,
Trailer for 1000 Films (1998), which documents a black and white ballet of
paper fluttering through the sky during a ticker tape parade. Accompanied by
a flowing, eerie and melancholic electronic music loop, Trailer for 1000
Films emotes memory, nostalgia and beauty in a film noir style as perfectly
dressed business people trudge somnolently through ankle deep paper in lower
Manhattan's financial district: a pas-de-deux for the apocalypse. James
Elaine will also exhibit drawings created with ball point pen ink and the
memory of indentions in the paper.
Libby Black employs paper to construct crude sculptures of invented,
designer luxury items. By making Gucci golf bags or a Louis Vuitton scooter
out of paper, Black pulls these items down to lay terms and mass market
means. For Paper Beats Rock, Black plays off another meaning for ³Rock² in
the title as in rock-n-roll. She created Private Dancer, 2005, a Louis
Vuitton boom box ala the 1980¹s, complete with headphones, a cassette tape
case and such selections as Tina Turner's Private Dancer, Rod Stewart and
Janet Jackson.
Elliott Hundley creates multi-faceted worlds out of found paper, photographs
of family and friends and other ephemeral materials. His ability to make
seemingly delicate works hold such imagination and power is compelling. An
accumulative process guides him from piece to consecutive piece while
complex and intertwined content is left for the viewer to unravel as far as
they are willing to go. He too is currently working on a new large wall
piece for this exhibition called Medea's Craft.
Ansel Krut reminds the viewer of the often unforgiving qualities of paper
and how artists must battle with it to extract their intent. Drawing on the
tradition of graphic satire and black humor more usually associated with
popular arts: flysheets, illustrated broadsheets and cartoons, these images
depict a barbaric and uncertain world, one that oscillates between cruel and
comic extremes. All made with brush and ink on prepared paper and executed
with deceptive simplicity and directness their small scale belies their
vitriolic viewpoint.
David X. Levine uses only one brand of paper for his work; Fabriano
Artistico, hot press. It has just enough tooth to take the pencil, but not
too much to bury the color in it in a way that does not allow it to
literally and figuratively ride the top of the paper. Levine works layers
of color over the paper and even buffs it down to a smooth finish. Often,
Levine allows the paper to show the wear of the process. Creating abstract
images through a process of synethesia, Levine occasionally employs random
words from the music he's visioning. Here too the double meaning for 'rock'
surfaces.
Charlotte McGowan-Griffin has been producing layered cut-paper pieces that
seem to illustrate Grimm fairytales, fears and fantasies. During a recent
residency in Japan, McGowan-Griffin began creating shoji screens with her
cut paper scenes projecting light and video behind them. It was this
dramatic work that inspired the exhibition. For Paper Beats Rock she will
be constructing a new illuminated tondo screen.
Opening reception is Saturday, July 9, 2005 6-10pm
cherrydelosreyes
12611 Venice Boulevard - Los Angeles
Hours: Thursday  Sunday 11am-6pm