Fanny Adler
Cecile Paris
Zbigniew Libera
Rene Lueck
Elzbieta Jablonska
Jerzy Janiszewski
Grzegorz Klaman
Jacek Niegoda
Marek Sobczyk
Jadwiga Sawicka
Andrzej Syska
Michal Szlaga
Andrzej Wajda
Ania Witkowscy
Adam Witkowscy
Alina Zemojdzin
Aneta Szylak
Cultural memory, its aberration, re-enactment and displacement
Curator: Aneta Szylak
Wyspa Institute of Art, located since 2004 in the historic Gdansk Shipyard, welcomes
its first artists in residence: Fanny Adler | Cecile Paris | Zbigniew Libera | Rene
Lueck and those especially invited: Elzbieta Jablonska | Jerzy Janiszewski |
Grzegorz Klaman | Jacek Niegoda | Marek Sobczyk | Jadwiga Sawicka | Andrzej Syska |
Michal Szlaga | Andrzej Wajda | Ania + Adam Witkowscy | Alina Zemojdzin,
participants in the “Dockwatchers†project.
The exhibition, preceded by thematic
residency, puts into the artists’ hands the multi-layered and multi-faceted cultural
construct of the last quarter-century in Poland. “Dockwatchers†refers to cultural
memory, its aberration, re-enactment and displacement.
The past remembered or rather memorised? Based on facts or feelings? Material or
immaterial? In his 1981 feature film, “The Man of Ironâ€, Andrzej Wajda re-enacted
the scenes memorised from famous photographs and TV news items from the strikes in
Gdansk Shipyard. He mixed up staged situations with genuine documentary recordings,
making not only a movie but, more importantly, a significant operation on the
collective memory. Along with the famous Solidarnosc logo by Jerzy Janiszewski, the
film lays the foundations of the international visual legacy of the 1980s in Poland.
Aneta Szylak, the curator, takes these two artefacts as points of departure for
“Dockwatchersâ€, building the intellectual premises of the exhibition on
re-enactment, revision of symbolic values as well as visible and invisible shifts in
cultural memory.
With “Dockwatchersâ€, happening alongside the official celebrations of the 25th
anniversary of Solidarnosc, Wyspa targets beyond officially represented history. It
asks about oral histories, cracks in memories, abandoned visions and desolated
heroes. “Dockwatchers†addresses the person, the individual, caught up in political
and historical processes, whose personal memory is inscribed in collective
experiences, the official representations of history and various forms of
commemoration and mythologisation.
The project was made possible through the partnership of Espace Croise in Roubaix
and Kunstverein in Hamburg in collaboration with Fundacja Signum in Poznan, the
French Embassy in Warsaw and the Goethe Institute in Warsaw.
The funding has been provided by French-German Cultural Projects in Other Countries
as well as by numerous individual and institutional donors
Wyspa Institute of Art / Wyspa Progress Foundation
Ul. Doki 1, building #145B
80-958 Gdansk, Poland
Tuesday – Sunday, 12 noon - 6 pm