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17/10/2005

Albert Oehlen

Thomas Dane Gallery, London

The artist has produced 6 new paintings and a group of 10 collages – works that form part of a long-running, painterly critique of the tenets of Modernism. Oehlen began analysing the spectrum of grey in 1997, a process that has allowed him to combine the paradoxical notions of dissolution and formulation. Four more paintings appear in radical contradiction to these monochromes. The new collages, juxtaposing art history and pop magazine culture, parody the tradition of collage and assemblage.

stampa

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