Stephanie Black
Randi Broberg
Laila Hansen
Isaac Julien
Alanis Obomsawin
Pratibha Parmar
Gillo Pontecorvo
Paul-Anders Simma
Frederikke Hansen
Tone Olaf Nielsen
Art Exhibition & Film Program. Under the header of Living (in) the Postcolonial, will exhibit four artists, an artist group, and an art & theory alliance from as different places as Greenland, Malaysia, Ghana, South Korea/Scandinavia, the Faroe Islands, and Indonesia.
Living in the Postcolonial
Colonialist powers have not only seized lands and natural resources, but also
people’s ideas, belief systems, and behavioral patterns. This is as true for the
once-colonized countries of the Nordic region as it is for other postcolonial
societies in, for instance, Africa, the Caribbean, and Asia. If we are to understand
how patterns of difference and superiority have come into being and how they
continue to structure human interrelations today, we need to look at language and
notions of the body in their historical, colonial context. The comprehensive
exhibition project Rethinking Nordic Colonialism will do just that when it opens up
the third out of four art exhibitions on Nordic colonialism in To'rshavn next week -
an international event, which will be accompanied by a film program and a packed
one-evening program of spoken word acts, performance, and live music.
Art Exhibition and Film Program in The Faroe Islands Art Museum
Under the header of Living (in) the Postcolonial, four artists, an artist group, and
an art & theory alliance from as different places as Greenland, Malaysia, Ghana,
South Korea/Scandinavia, the Faroe Islands, and Indonesia will exhibit in the Faroe
Islands Art Museum for a three-week period starting May 12. As the title suggests,
these participants use art in a critical way to reflect on the complex psychological
and social situations that occur in the wake of colonialism and its formal
termination. Above all, they take a close look at how colonial relations, i.e.
relationships of difference and domination, are conceptualized, expressed, and
enacted. They examine language and body politics in relation to landscape, memory,
history, nation-building, gender identity, and trans-racial child adoption. The
exhibiting artists are: Pia Arke (Greenland/Denmark), Nadiah Bamadhaj
(Malaysia/Indonesia), Godfried Donkor (Ghana/United Kingdom), Jane Jin Kaisen &
Tobias Hubinette (South K!
orea/Denmark & South Korea/Sweden), Rannva' Holm Mortensen (Faroe Islands), and
Ruangrupa (Indonesia).
The Faroe Islands Art Museum will also host the film program Silver Screen
Resistance, which features films from four decades of postcolonial criticism in
cinema by acclaimed filmmakers: Stephanie Black (USA), Randi Broberg (Greenland),
Laila Hansen (Greenland), Isaac Julien (United Kingdom), Alanis Obomsawin (Abenaki,
Canada), Pratibha Parmar (Kenya/United Kingdom), Gillo Pontecorvo (Italy), and
Paul-Anders Simma (Sámi, Norway/Sweden/Finland). [For exact screening hours,
please visit www.rethinking-nordic-colonialism.org/film.html]
During the opening reception, Jane Jin Kaisen & Tobias Hubinette will perform the
first part of their multimedia performance “Transmitting:
(Dis)ComfortAN(d)AlieNation." The second and last part will be performed on May 13
in the Nordic House. [Invitation card to the exhibition opening and a full
exhibition program are attached]
Spoken Word/Performance/Music Event in The Nordic House
Interwoven with the musical meandering of Jakarta-based DJ duo HYDROXYBROMIDE, this
night in the Nordic House represents a unique synthesis of critical voices from
around the globe. Titled Reinventing the Postcolonial Self, the program introduces
artists who resist colonialist identity models. The evening opens with artist Jane
Jin Kaisen and lecturer Tobias Hubinette, who presents the second part of their
multimedia performance. Following this, Cambodian Muslim American artist Anida Yoeu
Esguerra will reflect on hybrid identities in an act that mixes poetry and
performance. Caribbean female-to-male transsexual activist and performer Imani Henry
then delivers a cabaret-style performance that sheds light on the legacy of slavery
and colonization in the immigrant communities of Brooklyn. Before the night ends
with an Indonesian-style dance party, the local indie punk-rock band 200 will go on
stage and perform a live act campaigning for Faroese independence and a more
outspoken!
, tolerant society. [Simultaneous interpretation will be available] [For a complete
program of the evening, please visit
www.rethinking-nordic-colonialism.org/act3.html#event]
The Context: Previous & Coming Acts
The first act of Rethinking Nordic Colonialism opened in Iceland in the month of
March. A dozen international artists, theorists, and activists discussed the widely
forgotten history of Nordic colonialism and how it continues to structure the Nordic
societies today - even when it is repressed. As such, Act 1 delivered a set of
analytical tools for the continued discussions on Nordic colonialism. Staged in Nuuk
in April, Act 2 used those tools to create an open forum for people to formulate
their feelings and thoughts on being subjects in a de-colonizing community - with
the primary focus being on contemporary Greenland. Taking such lived experiences one
step further, Act 3 will now discuss how language and body politics function as
routers for colonial dynamics. In June, the project moves to the Sa'mi area of
Finland, where artistic and intellectual attention will be given to aboriginal
interests in a global economy.
Rethinking Nordic Colonialism is concluded with the release of a DVD Box Set at the
end of the year, which documents the entire project and constitutes the project’s
fifth and final act. In total, the project presents 56 participants from all over
the world, who exchange colonial and postcolonial experiences and strategies during
the course of the project. Rethinking Nordic Colonialism represents a first attempt
at writing a comprehensive history of Nordic colonialism and involves all the Nordic
countries. It is based on extraordinary partnerships between important art and
culture institutions in the region and supports the incipient postcolonial studies
in the Nordic region.
Publication
Rethinking Nordic Colonialism is accompanied by a free 148-pages User Guide
containing a full event program as well as detailed descriptions of all the
participants and their contributions. The User Guide is available in all the
exhibition venues or can be acquired at nifca@nifca.org. Participant and program
information is also be available online at www.rethinking-nordic-colonialism.org.
Opening: Friday, May 12, 5 - 8 pm
The Faroe Islands Art Museum
Gundadalsvegur 9 - Torshavn
Hours: Tuesday - Friday, 11 am - 4 pm, Saturday - Sunday, 2 - 5