The Paintings and Early Objects of H. C. Westermann
The Paintings and Early Objects of H. C. Westermann
Dreaming of a Speech Without Words: The Paintings and Early Objects of H. C.
Westermann is the first exhibition of paintings by of H. C. Westermann (1922 - 1981)
since before the artist gained critical attention in the late 1950s. The only other
public exhibit of Westermann’s early paintings was staged in 1954 at the now defunct
Mandel Brothers department store, formerly on State Street in Chicago. Dreaming of a
Speech Without Words also includes early painted objects, sculptures, and drawings,
many of which have never been shown publicly. Through a dialogue between and among
these early works, the exhibition attempts to shed light on Westermann’s nascent
enthusiasm for painting in the beginning of the 1950s and the implications this had
for his development as an artist best known at the end of the decade for his finely
crafted wooden sculptures. Raised in Hollywood, California, Westermann served as a
gunner aboard the USS Enterprise in World War II and as a combat infantryma
n in the Korean War. Between the wars, he studied art at The School of the Art
Institute of Chicago, a school first suggested to him by a shipmate aboard the
Enterprise. After World War II, Westermann studied vocational arts - commercial and
industrial design and drafting - but changed his course of study to fine art after
returning from Korea. In a 1954 letter to his sister Martha, Westermann confided
that he “had something to say" and over time that “something" had a great deal to do
with the traumatic experiences he had survived in both wars. Works in the exhibition
reveal the artist’s self exploration and rapid artistic development against the
backdrop of late modernism in the United States.
Dreaming of a Speech Without Words: the Paintings and Early Objects of H. C.
Westermann will travel to the Montclair Art Museum, Montclair, NJ (February 10 - May
27, 2007), Pennsylvania Academy of the Fine Arts, Philadelphia, PA (June 30 -
October 21, 2007) and the Iris & Gerald Cantor Center for Visual Arts, Stanford
, Stanford, CA (November 21, 2007 - March 2, 2008), and is accompanied by a
full-color catalog with essays by Michael Rooks, Dennis Adrian, and David McCarthy
and postscript by Mark Booth, Aaron Curry, Chris Johanson, Ryan Johnson, John Tanji
Koga, Jason Meadows, Jim Nutt, Erik Parker, Ruth Root, and Ed Ruscha.
Dreaming of a Speech Without Words: The Paintings and Early Objects of H. C.
Westermann was organized by The Contemporary Museum, Honolulu and curated by Michael
Rooks. Its presentation was made possible through the generous support of Mary and
Roy Cullen, Ruth P. Horwich, and Sharon and Thurston Twigg-Smith. In-kind support
has been provided by ResortQuest Hawaii, formerly Aston Hotels and Resorts and
Horizon Lines, LLC.
This exhibition is dedicated to Walter Hopps.
If there is a special language that artists share, then H. C. Westermann spoke a
rare unexpurgated dialect of it. Few artists come to mind who have engendered as
much passionate enthusiasm among their peers, and over the span of several
generations. Even Westermann’s absence these past two decades has not curtailed his
popularity among young artists first acquainted with his work through word-of-mouth
from colleagues and peers in museums, galleries and graduate schools. The exhibition
catalog for Dreaming of a Speech Without Words bears a postscript of writings by
artists spanning generations and studio practices including Mark Booth, Aaron Curry,
Chris Johanson, Ryan Johnson, John Tanji Koga, Jason Meadows, Jim Nutt, Erik Parker,
Ruth Root, and Ed Ruscha. The exhibition Untitled (for H. C. Westermann) includes
work by each of these artists revealing the broad range of interests and artistic
aproaches among fans and devotees of Westermann.
The exhibition is a companion to the full-color exhibition catalog Dreaming of a
Speech Without Words: the Paintings and Early Objects of H. C. Westermann with
essays by Michael Rooks, Dennis Adrian, and David McCarthy and catalog postscript by
Mark Booth, Aaron Curry, Chris Johanson, Ryan Johnson, John Koga, Jason Meadows, Jim
Nutt, Erik Parker, Ruth Root, and Ed Ruscha.
Untitled (for H. C. Westermann) was organized by The Contemporary Museum, Honolulu
and curated by Michael Rooks. In-kind support has been generously provided by
Horizon Lines, LLC.
The Contemporary Museum
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