Conceived especially for the gallery spaces 'No Such Thing As One' brings together a body of work that explores ideas concerning the essence of matter. Engaging subjects that lie on the borders of physics and philosophy, Shawcross’s structural, often mechanical sculptures have circumnavigated themes to do with mathematics, cosmology and harmonics.
New sculptures
Victoria Miro Gallery is delighted to present an exhibition of new
sculptures by the British artist Conrad Shawcross. Conceived
especially for the gallery spaces No Such Thing As One brings together
a body of work that explores ideas concerning the essence of matter.
The word ‘atom’ in Greek means ‘indivisible’ and the exhibition takes
as its starting point the philosophical question: is there such a
thing as an atom or basic unit, or is everything always divisible into
something smaller and integrity merely an ideal?
Engaging subjects that lie on the borders of physics and philosophy,
Shawcross’s structural, often mechanical sculptures have
circumnavigated themes to do with mathematics, cosmology and
harmonics. While at first appearing rational and functional, his
complex works ultimately deny both reason and purpose forcing the
viewer down philosophical and metaphysical avenues to deduce possible
meanings.
Paradigm (Ode to the Difference Engine) 2006, is a giant double rope
machine unraveling its rope as fast as it can ravel it . Comprising
two identical machines, each made of hundreds of cogs, spools and
pulleys, the twin structures turn in mirrored opposition to each
other, countering all the other does. Built rationally and with
intricate empirical precision the work was designed with the knowledge
that it could never function - Shawcross’s process from the outset was
impossible. The artist has spoken of the work being reminiscent of
Babbage’s unrealized Difference Engine conceived in 1822 and widely
regarded as the first computer, also imbued with the same tragic
elements of the unobtainable.
Binary Star , 2006, is the latest in Shawcross’s series of kinetic
light works and his most physically ambitious to date. Constructed
specifically for the vaulted upstairs gallery, Binary Star takes the
relatively recent discovery of stars that have found themselves locked
in orbits around each other as its inspiration. As a model the binary
star throws up an opposing reality to our own mono-solar system. The
work, with its fast-moving geometry, is designed to engage the viewer
through a complex and intricate dynamic revealing the arcing
symmetries of this unfamiliar reality of space.
Space Grid (Mirrored tetrahedron system), 2006 pursues the binary
theme of the exhibition. With the help of a cosmological mathematician
Shawcross has developed a system of tetrahedrons that tessellate
universally in space. The system comprises of two types of tetrahedron
that are identical but are in fact mirror images of each other.
Shawcross arranges these tetrahedrons in a multiplicity of
combinations and directions to form a 6-D grid of dense geometry that
has infinite possibilities.
Born in 1977, Shawcross lives and works in London. He achieved an MFA
from Slade School of Art in 2001 and a BA (Hons) in Fine Art from
Ruskin School of Art, Oxford in 1999. Solo exhibitions include The
Steady States, which toured The New Art Gallery, Walsall and The
Walker Art Gallery, Liverpool in 2005. In 2004, Shawcross had a solo
exhibition at The Queen’s House, National Maritime Museum, London
entitled Continuum and presented work at Manifesta 5, San Sebastian,
Spain. His work has been included in exhibitions both in the UK and
abroad including, Sudeley Castle 2006: Reconstruction 1, Sudeley
Castle, England, S.N.O.W Sculpture in Non-Objective Way, Galleria
Tucci Rosso, Torre Pellice, Turin, New Blood, Saatchi Galley, London,
2004 and New Contemporaries 2001, Camden Arts Centre; Northern Centre
for Contemporary Art, Sunderland. Conrad Shawcross will have work
included in Riflemaker becomes Indica, November 2006 - February 2007.
Victoria Miro Gallery
16 Wharf Road - London