Aperiatur Terra. A new body of work. The focal point of the exhibition is Palmsonntag, an installation in the ground floor gallery comprised of eighteen paintings, hung as a single entity on one wall, with a thirteen-metre palm tree laid on the gallery floor. As its title suggests, the work evokes the beginning of Christ's journey into Jerusalem prior to his arrest, Passion, death and resurrection. The paintings read almost as the pages of a book opened to reveal multiple layers and narratives.
Aperiatur Terra
White Cube Mason's Yard is pleased to present a new body of work by the
internationally acclaimed artist Anselm Kiefer. The exhibition will be staged both
at White Cube Mason's Yard and the Royal Academy of Arts.
The title of the exhibition, Aperiatur terra, is a quotation from the Book of
Isaiah, which translates as 'let the earth be opened' and continues 'and bud forth a
saviour and let justice spring up at the same time'. These contrasting themes of
destruction and re-creation, violent upheaval and spiritual renewal underpin much of
Kiefer's work.
The focal point of the exhibition is Palmsonntag, an installation in the ground
floor gallery comprised of eighteen paintings, hung as a single entity on one wall,
with a thirteen-metre palm tree laid on the gallery floor. As its title suggests,
the work evokes the beginning of Christ's journey into Jerusalem prior to his
arrest, Passion, death and resurrection. The paintings read almost as the pages of a
book opened to reveal multiple layers and narratives. As is common in Kiefer's
practice, organic materials form the palette through which landscapes are created.
These are then overlaid with texts which do not point to one single interpretation
but rather suggest a rich, philosophically charged and resonant multiplicity of
meaning and experience.
Palm Sunday has a pivotal place in Christian theology but has rarely formed the
subject of major painting. It adds a further dimension to Kiefer's already diverse
and complex range of sources in his art, which have included Teutonic mythology and
history, alchemy, Greco-Roman mythology, ancient Gnosticism and Kabbalistic
mysticism. In the lower gallery, four epic canvases are hung to create a single
installation. Each is a vast panoramic landscape whose visceral surface appears
strewn with flowers or perhaps on fire, at once apocalyptic and redemptive.
References are made to the poetry of Victor Hugo, the fall of Troy, the Nazi
campaign on the Russian front and to the prophet Isaiah amongst others, a range of
sources that suggest an ongoing pattern of veneration, degeneration and renewal.
As an extension of the exhibition at Mason's Yard, the Royal Academy of Arts is
displaying two of Kiefer's monumental towers for the first time in Britain. These
five and six storey concrete constructions continue a series begun in the artist's
extensive studio-without-walls in Barjac, Provence. To some, these 'twin towers'
evoke the precariousness and the bombast of great Empires past and present; to
others they read as a bridge between the earth and the heavens. In his catalogue
essay for the exhibition, the Royal Academy's Exhibitions Secretary Norman Rosenthal
quotes from Walter Gropius and Bruno Taut: 'To build in fantasy, without regard for
technical difficulties; to have the gift of imagination is more important than all
technology, that always adopts itself to man's creative will today, a true architect
really does not exist, all of us are only the forerunners of the one who will some
time again deserve to be called architect, a name signifying Lord of Art, who will
make gardens of the desert and will heap wonders to the sky.'
Anselm Kiefer was born in 1945 in Donaueschingen in Southern Germany. He has lived
and worked in Barjac in the south of France since 1991. Kiefer is regarded as one of
the most important and influential artists working today. Exhibitions of his
painting, sculptures, drawings and installations have been staged extensively over
the past four decades and his work is included in the world's most prestigious
public and private collections.
A fully illustrated catalogue has been published by White Cube to accompany the
exhibition. It contains essays by Norman Rosenthal, Exhibitions Secretary of the
Royal Academy of Arts, London, Anthony Bond, Curatorial Director at the Art Gallery
of New South Wales, Sydney and Graham Howes, Emeritus Fellow of Trinity Hall,
Cambridge.
Private View 25 January 6-8pm
Aperiatur terra will travel to the Art Gallery of New South Wales in Sydney, 19 May
- 29 July 2007.
White Cube
48 Hoxton Square - London
Open Tuesday - Saturday 10am - 6pm.
The Royal Academy of Arts is open Monday - Sunday 10am - 6pm (and till 10pm on
Fridays).