DeAnna Maganias presents a collection of sculpture, painting and video. She explores the more disconcerting and alienating aspects of urban reality through a voyeuristic filter. Jonathan Delachaux bleeds the boundaries between art and life by introducing us to Vassili Lavandier, Johan Wacquez and Naima Bourquin.
DeAnna Maganias + Jonathan Delachaux
DeAnna Maganias, who lives and works in Athens and New York, presents
a collection of sculpture, painting and video in her first U.S solo
exhibition, "The View From Bed". Strongly influenced by architecture
and minimalist form, Maganias explores the more disconcerting and
alienating aspects of urban reality through a voyeuristic filter. The
industrial form and mechanized precision implicit in her work,
however, upon closer inspection is found to be meticulously and
obsessively executed by hand. Maganias has shown with Rebecca Camhi,
Athens; Marco, Rome; MARTa Herford, Germany; in the Prague Biennale
2005, and the Istanbul Biennial 2003, amongst others.
Jonathan Delachaux, a painter who has been awarded the Swiss Award
for Young Artists twice, bleeds the boundaries between art and life
by introducing us to Vassili Lavandier, Johan Wacquez and Naïma
Bourquin: three puppets whose daily lives and experiences provide the
plot lines for his own artistic productions. From trips to New York,
Berlin, Japan and India to their band, which provides Delachaux's
exhibitions with unique sound tracks, these individuals hold lives
separate from their inventor's, which occasionally come together for
natural reasons of professionalism and friendship. Part performance,
part materiality, Delachaux's tromp l'oeil representations of his
companions beg the question of wherein his work lies.
Reception: Thursday, February 15, 6 - 8:30pm
Thomas Erben Gallery
526 W 26th Street, floor 4 - New York