The exhibition will feature 6 large-scale pigment prints on cotton paper, 2 large silverprints and 24 unique silverprints on black and white baryte paper with paint highlights. To create these images, Fauquet first builds imaginary objects and scenes out of cardboard.
Kairos
"Fauquet provides (…) the evidence of things unseen, illuminates dark
matters, or rather shows us a darkness residing in the field of light’s
vision. If photography was drawing with light (Nicephore Niepce called it
heliography), then Fauquet draws with darkness. (…) The power of these
photodrawings is to overcome the dichotomy between absence and presence,
between gesture and image and to do away with seeing altogether." Lyle
Rexer
Haim Chanin Fine proudly presents Jean-Michel Fauquet: Kairos, the French
photographer's first solo exhibition in New York, on view from May 3 through
June 30, 2007. The exhibition will feature 6 large-scale pigment prints on
cotton paper, 2 large silverprints and 24 unique silverprints on black and
white baryte paper with paint highlights. An opening reception for the
artist will take place at the gallery on Thursday, May 3, from 7 to 9 PM.
"Kaïros", an ancient Greek word meaning the "right or opportune moment"
defines a vertical time, a time "in between", a moment of undetermined
period of time in which" something" special happens, by opposition to"
chronos ", a chronological, horizontal time, with a predictable beginning
and end. It is those vertical times that Jean-Michel Fauquet captures in his
new exhibition by melding together sculpture, photography and painting into
the most fascinating and poetic images.
To create these images, Fauquet first builds imaginary objects and scenes
out of cardboard. Once assembled, painted and staged, those objects are
photographed one by one. Each print is then painted and waxed, coming out
like dark tanned leather, where the light seems imprisoned, manipulated in
order to create each time a different scene, a different moment. About his
intriguing objects/photos/paintings, Fauquet says: " They are telluric
objects, chaoses, accumulations, in fact, they are scandals. Etymologically,
a scandal is something that blocks our route, and to invoke it is a way of
neutralizing it ". And those cathartic " scandals " are brought to the
viewer like unsettling shadows and ghosts, at once utterly foreign and
strangely familiar, suspended in a time impossible to define, for a use lost
to the past or yet to invent.
Born in 1950, Fauquet lives and works in Paris. His work has been exhibited
internationally and can be found in the prestigious collections of François
Pinault, France, the Centre Pompidou-Musée National d’Art Moderne, Paris,
Bibliothèque Nationale de France, Paris, among others.
Haim Chanin Fine Arts is committed to bringing established and renowned
artists from Europe and Latin America to New York. Haim Chanin Fine Arts is
located in the heart of the city, between the Flat Iron District, West
Chelsea and Union Square, at 121 W 19 St, between 6th and 7th Avenues.
Following Jean-Michel Fauquet’s exhibition, the gallery will present new
works by French painter Vicky Colombet (September – October 2007).
Opening Thursday May 3, 2007
Haim Chanin Fine Arts
121 W 19 St., 10B - New York