Cindy Sherman
dal 21/5/2007 al 14/6/2007
Segnalato da
21/5/2007
Cindy Sherman
Monika Spruth Philomene Magers London, London
'A Play of Selves' comprises 72 photographic assemblages which Sherman cut out of black and white prints in 1975 during her last college year in New York, and marks one of the first uses of herself as a subject in staged photographs. In the introduction to the recently published catalogue she states: "This is the only work I've ever done that was consciously autobiographical." Her work questions visual representation by addressing the false naturalness of photography.
A Play of Selves
Monika Sprüth and Philomene Magers are delighted to exhibit 'A Play of Selves,' Cindy Sherman's seminal work from 1975 at their Grafton Street gallery in London.
In the introduction to the recently published catalogue for 'A Play of Selves' (Hatje Cantz, 2007), Sherman states: "This is the only work I've ever done that was consciously autobiographical."
American photographer and film-maker Cindy Sherman, born 1954 in New Jersey is known for her conceptual self-portraits in which she fully transforms herself into different personas with the use of make- up, costumes, play acting and even prosthesis. Sherman's work questions visual representation by addressing the false naturalness of photography, in particular the images of women which are promoted by mass culture such as movies, television and magazines as reality. Some of her most important series of works include "Untitled Film Stills" (1977- 1980), "Centerfolds" (1982), "Disasters" (1986- 1989), "History Portraits/Old Masters" (1988- 1990) "Sex Pictures" (1992), and "Clowns" (2003- 2004).
'A Play of Selves' comprises 72 photographic assemblages which Cindy Sherman cut out of black and white prints in 1975 during her last college year in Buffalo, New York, and marks one of the first uses of herself as a subject in staged photographs. Having originally used the cut-out figures for an animated film ('Doll Clothes,' 1976) she soon realized that the figures could interact with each other. A film script developed, the story of a young woman overwhelmed by various alter-egos working at odds with her and her final conquering of self-doubt, played out in four acts and a finale with 16 separate characters. The scenes incorporate the allegoric figures 'Madness,' 'Vanity,' 'Agony' and 'Desire' that evoke the conflicting aspects of the female protagonist, which appears in different situations as 'Broken Woman,' 'The Actual Main Character' and 'The Character as Others see Her.' Only at the end does 'Broken Women' become the 'Actual Main Character.'
Cindy Sherman lives and works in New York City. Since the 1980's, her work has been collected by major private and institutional collections worldwide. Most recently, a large-scale retrospective organized by the Jeu de Paume, Paris travelled to Kunsthaus Bregenz, Austria and is currently on view at the Louisiana Museum for Moderne Kunst, Denmark until May 20, concluding at Martin-Gropius-Bau, Berlin, Germany (15 June - 17 September 2007).
For further information please contact
Uta Leconte, ul@spruethmagers.com
Image: Untitled #424, 2004, color photography 55 x 54 in. Copyright: Cindy Sherman
Monika Sprüth Philomene Magers
7A Grafton Street - London
Opening Hours are Tuesday through Saturday, 10 am - 6 pm and by appointment.