The first solo exhibition in the UK of work by the Norwegian painter Olav Christopher Jenssen.
Jenssen is one of Norway's best known artists and has exhibited in many major shows internationally; Jenssen is best known for his paintings, every practice he uses, painting, drawing, sculpture, is equally important to him, his intimate drawings and monumental oil paintings, have equal value...
We are pleased to announce the first solo exhibition in the
UK of work by the Norwegian painter Olav Christopher
Jenssen. The show will include new paintings, and a
series of drawings recently shown in his exhibition 'The
Empty Drawing Room' at Kunstverein Gottingen and
Oldenburger Kunstverein, Germany and Sonderjyllands
Kunstmuseum, Denmark. Jenssen is one of Norway's
best known artists and has exhibited in many major
shows internationally including Documenta IX, Kassel, and
solo shows at Malmo Konsthall, and Astrup Fearnley
Museum for Modern Art, Oslo. Last year he was the
selected artist for the prestigious Bergen International
Festival with a solo exhibition at the Bergens
Kunstforening. He has lived and worked in Berlin since
1982.
Jenssen uses a variety of different media and materials,
themes and motives.. Although Jenssen is best known for
his paintings, every practice he uses, painting, drawing,
sculpture, is equally important to him, his intimate
drawings and monumental oil paintings, have equal value.
His studio in Berlin bears testament to this with a variety
of work always in progress and often his works develop
into a series around certain formal concepts. The drawings
are made with pastel, gouache, charcoal or crayon, the
varied pictorial form and techniques, from underlined and
coloured text, dotted and sweeping lines, coloured
spaces, to systematic grids and circular formations,
captivate by their simplicity. Some fill the page others
seem half finished as if a half thought, but when the
drawings are done they get sealed with a wax coating so
they cannot be reworked. Each is signed with the artists
name, date and place which becomes the title of the work,
implying the form of a diary, although they do not allow
themselves to be read as biographically motivated
memories and associations.
The paintings often have an open, ambiguous expression,
as though they touch something fleeting, enigmatic, that
cannot really be grasped. Jenssen says that the paintings
arise from the conditions of a particular situation, that they
originate so to speak by themselves. He seems to place
great trust in situation and process, in allowing things to
develop spontaneously. "This is, of course, the most
intimate presence I can imagine. Yet there is also a good
deal of waiting connected with it, waiting for a special
moment that makes it possible for things to develop. I
have good time, I take good time, and there is a patience
in the unrest that doesn’t require anything more than my
presence".
Opening times: Thurs-Sat 11-6 Sun 12-6 or by
appointment
Nearest tube: Bethnal Green Tube (Central Line)
Supported by Norwegian Embassy
For further information or photographs 020 8980 2662