Hold: Vessel 2, 2007. A large-scale installation that explores the intimacy and immensity of the natural world and our relationship to it, this work uses moving image and technology to reveal the hidden intricacies of human immersion in the wide, complex world. The piece is activated by the viewer, the interaction being a metaphor for our connectedness within biological, social and ecological systems.
Hold: Vessel 2, 2007
Lynette Wallworth's London debut sees the BFI commissioning Hold: Vessel 2, 2007,
enabling the artist to further develop her critically acclaimed piece Hold: Vessel
1, 2001. An interactive, large-scale installation that explores the intimacy and
immensity of the natural world and our relationship to it, this work uses moving
image and technology to reveal the hidden intricacies of human immersion in the
wide, complex world.
The piece is activated by the viewer, the interaction being a metaphor for our
connectedness within biological, social and ecological systems. Upon entering the
exhibition space, the visitor is encouraged to 'catch' falling projected images of
astronomical and underwater life in lens-shaped glass bowls. With intimate moments
of synchronised light and sound, the installation celebrates minutiae - microscopic
views of marine life forms and photographic imagery of deep space - leaving the
visitor with a sense of communal participation within a complex system of which we
are a part.
The images in Hold: Vessel 2 come from current visioning technologies such as X-ray
Microtomography and remotely operated light sensitive cameras allowing us to see
intricate detail inaccessible to the human eye. A reflection upon our own place in a
complex and starkly beautiful world, the work helps us explore the complex
interconnectivity between things that we do not always see or know.
Lynette Wallworth is the second of an ongoing series of art exhibitions at BFI
Southbank exploring contemporary artists' use of the moving image.
BFI Southbank
Belvedere Road - London