This exhibition juxtaposes one of Finlay's most celebrated early visual poems, "Star/Steer"(1966) with a new neon representation of a rose made in response to artist's work by Cerith Wyn Evans. All of Finlay's work stems from his fundamentally poetic view of the world.
Wall painting and installation
We are delighted to announce the 9th in our series of 26 exhibition pairings: a
previously unseen wall painting by Ian Hamilton Finlay and a new neon installation
by Cerith Wyn Evans.
Ian Hamilton Finlay (1925 – 2006) needs little introduction. A unique and at times
controversial figure within 20th century British art, Finlay remains one of our
greatest artists. He created what is arguably his most important work, the classical
garden at Little Sparta, over a period of about forty years and this extraordinary
place, in the bleak hills at Dunsyre to the south of Edinburgh, is now widely held
to be Scotland's “greatest work of art” (Scotland on Sunday, 2004). It is a fusion
of so many of his artistic ideas and principally of his concern with man’s
relationship to nature.
This exhibition juxtaposes one of Finlay’s most celebrated early visual poems,
'Star/Steer' (1966) rendered as a wall painting by one of his long-standing
collaborators Les Edge, with a new neon representation of a rose made in response to
Finlay’s work by Cerith Wyn Evans. The neon will be installed on the gallery ceiling
and Wyn Evans will place a small digital radio, tuned to catch the local shipping
news, nearby.
In his tribute to Ian Hamilton Finlay, Wyn Evan’s specific reference is to the rose
as it makes its most frequent appearance within Finlay’s work: in the names and
numbers of fishing boats (TUDOR ROSE OB220 / XMAS ROSE A635 / TEA ROSE FR346 / ROSE
VALLEY KY45) and as a symbol of the boat tossed tragically onto the rocks: 'A Rock
Rose'. Wyn Evans' emblematic rose is originally sourced from the logo of a Japanese
department store but refers (obliquely in this instance) to the long history of the
rose as an artistic motif: from Medieval literature, to Duchamp and to Gertrude
Stein whose “a rose is a rose is a rose” is itself borrowed by Finlay in his garden
at Little Sparta - “a rose is a rose is a rose….is a watering-can”.
'Star/Steer' itself evokes a poetic idea of the sea - the word star is repeated line
after line, falling down the wall in a rippling column suggestive of starlight on
water; and at the bottom, riding the waves, is the word steer, the boat itself. The
shape is a zigzag - the passage of a boat tacking left to right….the rose guided by
the stars.
IAN HAMILTON FINLAY was born in Nassau, Bahamas in 1925 and was brought up in
Glasgow and the Orkney Islands. He emerged in the 1960's as a leading figure in the
concrete poetry movement, and over the following 40 years earned a reputation as one
of Scotland's most distinguished artists: a poet, philosopher and gardener whose
work has been exhibited in the great museums of the world despite Finlay himself
rarely leaving Little Sparta. Recent exhibitions include 'Sentences' at Inverleith
House & 'L'Idylle des Cerises' at Ingleby Gallery, both in Edinburgh in 2005, and
'Maritime Works' at Tate St Ives in 2002. Ian Hamilton Finlay died in March 2006.
Ingleby Gallery continues to represent his estate and to distribute his printed
works published by the Wild Hawthorn Press.
CERITH WYN EVANS was born in Wales in 1958 and began his career as a filmmaker,
initially as an assistant to Derek Jarman before making short experimental films.
Since the 1990's, his practice has incorporated installation works, sculptures,
photography, film and text. His installations have a strong conceptual clarity, but
often rely upon the perception of the viewer to trigger layers of reference and
association built within. Recent exhibitions include at MIT List Visual Arts Centre,
and the Museum of Fine Arts, Boston (2004), Kunsthaus Graz (2005), BAWAG
Foundation, Vienna (2005), and Musée d’art moderne de la ville de Paris (2006).
Cerith Wyn Evans lives and works in London.
We would like to thank White Cube, London for their help with this exhibition.
Image by Ian Hamilton Finlay "Water cooled Watercress".
Opening saturday 20th october 2007
Ingleby Gallery
6 Carlton Terrace, Edinburgh
Free admission