Photographs from the past year will be presented along with Lichtenstein's debut video, Everything Begins and Ends at Exactly the Right Time and Place. The artist explorea utopian environments, failed systems, the pursuit of higher states of consciousness.
Photographs and a video
Elizabeth Dee
Gallery is proud to announce an exhibition of new work by Miranda
Lichtenstein. Photographs from the past year will be presented along
with Lichtenstein's debut video, Everything Begins and Ends at
Exactly the Right Time and Place. A reception for the artist will
be held at the gallery Saturday, October 20, 6-8pm.
Through her
evolving practice, Lichtenstein has explored utopian environments,
failed systems, the pursuit of higher states of consciousness, the
uncanny, and the sublime through the photographic medium. These
interests converge in the gallery space for the first time with the
presentation of a variety of photographic genres. Themes that appear
at first glance to be represented by individual images, in fact, flow
throughout the entire exhibition, compelling us to question the nature
of representation, particularly of the natural world.
In 9 Planes,
5 Unrealized, 2007, utopian ideals take shape through aerodynamic
ingenuity. These re-photographed portraits of both real and imagined
airplanes serve as doubly mediated representations of travel,
possibility, speed and desire. Captured in mid-flight and suspended
against a multitude of colored clouds, they embody an individual's
attempt to reconcile one's place in the natural world. Repurposed as
"painted photographs," the plane images relate to Lichtenstein's
ongoing series of Shadow Photographs. In this body of work, painted
outlines of plants and flowers take on the appearance of shadows cast
by non-existent still-lifes or vegetation set against a darkened sky,
thereby challenging the verisimilitude of the photographic process
through the application of painterly traditions. The doubling at play
in the shadow photographs echoes throughout the exhibition in the form
of diptychs whose subject matter ranges from an ancient tree felled by
a violent storm to the artist herself entranced by a homemade
Dreamachine (a stroboscopic device that produces visual stimuli).
Throughout these images, evocations of the sublime in the natural
world are juxtaposed with a more interior search for
enlightenment.
Everything
Begins and Ends at Exactly the Right Time and Place, 2007, engages representation and
doubling in yet another way. Inspired by the 1975 cult classic,
Picnic at Hanging Rock, Lichtenstein (who shares her first name
with the central character in the film) stages her own disappearance
from a wooded, rocky landscape. The unsettling events depicted in the
video are enhanced by its soundtrack, which features a clip from the
original movie. Halfway through the video the action repeats, looping
twice while the soundtrack from the movie is uninterrupted. Perception
of the depicted events thus shifts between what is observed and what
is remembered, a state of flux that persists in all of Lichtenstein's
work.
Miranda
Lichtenstein has had solo exhibitions at The Hammer Museum, Los
Angeles, The Whitney Museum of American Art at Phillip Morris, New
York, and Gallery Min Min, Tokyo. Her work has been featured in
shows at the Renaissance Society, Chicago, the Museum of Contemporary
Art, Miami, Creative Time, New York, Yerba Buena Center for the Arts,
San Francisco and Stadthaus, Ulm. Her work is in the permanent
collection of the Solomon R. Guggenheim Museum, New York, The
Hirshhorn Museum, Washington DC, and the New Museum, New
York.
Opening Reception: Saturday, October 20, 6-8 pm
Elizabeth Dee Gallery
545 W 20th Street - New York
Free admission