Of Ants
Galerie Martin Janda is showing Milena Dragicevic's second solo show
from January 23 to March 1, 2008. Milena Dragicevic was born in Knin
(Yugoslavia) in 1965 and grew up in Canada. She currently lives in
London. In this new exhibit, entitled OF ANTS, she is showing works from
three new series: Tuksiarvik, Supplicants and aalliraujaq.
Tuksiarvik 8, a large-format oil painting, occupies a central position
in the show. In front of a monochrome backdrop, beginning at a narrow
platform, a sculptural figure works its way up. Volumetric and planar
elements appear to be collaged, precariously stacked upon one another,
the surfaces in relief. Some of the forms were borrowed from modernistic
sculptures. The intensive green background seems - juxtaposed with the
earthy shades of brown which dominate the sculpture's color scheme -
utterly artificial. The title of this piece and of the entire series is
taken from the Inuit language and means "prayer site". Dragicevic
consciously employs the title for her works - its significance is not
apparent at first glance. The structure of her paintings is situated
somewhere between realistic form and abstraction; this is true of the
titles of the works, as well.
Although the artist has worked with variations of titles and themes in
the past, Supplicants is the first series which rigorously adheres to a
concept. All works - the format, at 61 x 56.5 cm or 61 x 51 cm, is also
predetermined - are representations of the human head, usually of
friends or acquaintances, altered with small interventions. Milena
Dragicevic covers the faces with geometric shapes or changes the
physiognomy. She emphasizes that these are not psychological studies of
the individuals who are portrayed: "The paintings are not about the
models, they are 'stand-ins' for something else." The title also makes
reference to this aspect: supplicant means petitioner or beadsman.
"I see a lot of my work as a resurrection of sorts, not for sentimental
or nostalgic reasons, but for survival reasons. There is so much
building that exists in my process that the works can only be thought of
as something for the future. The images I paint, the faces, the
sculptures are like 'stand-ins' for something else. They are 'stand-ins'
that in a way pay homage to a lost world or one that exists in a
different realm. The Supplicants and the sculpture paintings are like
lost artifacts or ones waiting to be discovered." (Milena Dragicevic)
Galerie Martin Janda -Raum aktueller Kunst
Eschenbachgasse 11 - Wien
Opening hours: Tue-Fri 1 - 6 p.m., Sat 11 a.m. - 3 p.m.
Frre admission