Centre d'edition contemporaine
You belong to me I belong to you. The exhibition challenge the image of the person. Visitors are invited into an empty space, and the show really commences as the artist asks them to become the only pictures to be seen. Thus, the self-image is the real object of the show. The apparatus reveals the way this image is built up from the other people's perception.
Olivier Bardin’s exhibitions challenge the image of the person. Visitors are invited
into an empty exhibition space, and the show really commences as the artist asks
them to become the only pictures to be seen. Thus, the self-image is the real object
of the exhibition. The apparatus reveals the way this image is built up from the
other people’s perception; spectators, at the same time, are watching and being
watched. Eventually, they constitute a community based on mutual confidence, where
perception acts as a self-balancing device.
The apparatus is made of 6 elements:
1. The place.
2. The audience.
3. The presence of Olivier Bardin or his delegate.
4. An opening statement expressed by Bardin (or his delegate) in the local language.
This statement is about the desire of self-exhibition and may vary depending on the
context.
5. A duration, up to each spectator.
6. Possibly: sound and picture recording equipment.
With the help of the apparatus, the spectator accepts to give up control over
his/her own image. From this, he/she gets an unexpected subjective and artistic
experience.
For his show at the Centre d’édition contemporaine, Bardin meets with 16 people from
Geneva, one at a time within the empty exhibition space. Each meeting is an
exhibition of the person which starts with the statement: “I can make of you
whatever I want with my view, as you can make of me whatever you want”. The duration
of the exhibition is left up to the two protagonists.
Pictures taken by the artist on this occasion are an extension of these exhibitions
of the person. They are turned into an edition (co-edited with Blancpain Art
Contemporain, Geneva) and are presented in a site-specific display at the Centre
d’édition contemporaine.
About the Centre d’édition contemporaine
The Centre d’édition contemporaine (Cec) combines the production of printed matter
and multiples, and a program of exhibitions which testify at the same time to the
specific field of edition and to contemporary art.
Swiss and international artists, emerging or established, are invited each year to
exhibit and to realize an edition: prints, publications, artist's books or
multiples.
The Cec has produced, among others, editions of John Armleder, Monica Bonvicini,
Claude Closky, François Curlet, Andreas Dobler, Vidya Gastaldon & Jean-Michel
Wicker, Fabrice Gygi, Thomas Hirschhorn, Karen Kilimnik, Jakob Kolding, Elke
Krystufek, Jérôme Leuba, Olivier Mosset, Gianni Motti, Kristin Oppenheim, Giuseppe
Penone, Mai-Thu Perret, Florian Pumhösl, Anne-Julie Raccoursier, Christophe Rey,
Markus Schinwald, Roman Signer, Rosemarie Trockel, Luc Tuymans, Emmett Williams and
Heimo Zobernig.
Opening March 27, 2008 (from 6 pm)
Centre d'edition contemporaine
18, rue Saint-Leger - Geneve
Opening Hours: Tuesday to Friday from 2.30 pm to 6.30 pm; Saturday from 2 pm to 5 pm