An exhibition of contemporary art investigating the nature of malleable and inflatable materials. Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures comprises recent works of art that explore both the nature of the human body as a permeable sensor in constant osmotic exchange, and a new awareness of cyber- and "in-between" spaces that are neither real nor completely virtual.
The Fickle Nature of Bubbles, Spheres, and Inflatable
Structures.
From January 30 - April 13, 2002, the AXA Gallery will
present an exhibition of contemporary art investigating
the nature of malleable and inflatable materials. Thin Skin:
The Fickle Nature of Bubbles, Spheres, and Inflatable
Structures comprises recent works of art that explore
both the nature of the human body as a permeable sensor
in constant osmotic exchange, and a new awareness of
cyber- and "in-between" spaces that are neither real nor
completely virtual.
Thin Skin features a selection of humorous and seductive
works in different media, including sculpture, photography,
room-size installations, and video projections. Viewers will
enter the gallery through a site-specific sculpture by Lee
Boroson, an air-filled nylon "gate" to the exhibition,
constructed of cloud-like shapes supported by soft fabric
columns. The concept of life-instilling breath is taken up in
Sutee Kunavichayanont's rubber bodies: visitors are
encouraged to use their own breath to blow up the
rubbery shapes until these resemble human beings.
Several other artists, such as Olafur Eliasson, have
created installation situations that play with properties of
air and other gases, and the liquid skins or films containing
them.
Historical works anchor the exhibition. Piero Manzoni's
Artist's Breath, 1960, is just that, captured in a frail
rubber balloon. And, of course, Andy Warhol's Silver
Clouds, 1966, are included here as well, hovering in midair,
inviting the viewer to manipulate them.
Departing from recent exhibitions of inflatables, such as
Balloon Art (Tokyo, 1998), Bubbles (Brussels, 1999), Air en
Forme (Lausanne, Switzerland, 2000), and airairshow
(Monaco, 2000), Thin Skin goes beyond the balloon and
explores the condition that has led to the widespread
resurgence of a material that first became popularized in
architectural and design settings in the 1960s.
Thin Skin is a traveling exhibition organized and circulated
by Independent Curators International (ICI), New York, a
non-profit organization dedicated to contemporary art.
The exhibition was co-curated by Barbara Clausen and
Carin Kuoni, ICI's Director of Exhibitions. The illustrated
catalogue published by ICI features essays by the
co-curators and is distributed by D.A.P. The exhibition
was funded in part by Gerrit L. Lansing and Suydam R.
Lansing; the Institut für Auslandsbeziehungen e.V.,
Stuttgart; the Israel Ministry of Foreign Affairs, Cultural &
Scientific Relations Division, and the Consulate General of
Israel in New York. The AXA Gallery is sponsored by AXA
Financial and its subsidiary The Equitable Life Assurance
Society of the United States. Additional assistance has
been provided by AXA Art Insurance Corporation.
Barbara Clausen is an independent curator from Vienna
and a graduate of the Curatorial Training Program at the
DeAppel Stichting in Amsterdam. In recent years she has
worked at the Dia Center for the Arts in New York and has
curated several film and video screenings on Lawrence
Weiner's filmic work. Carin Kuoni is Director of Exhibitions
at ICI and was formerly the director of the Swiss
Institute, a non-profit cultural institution in New York.
Kuoni was the editor of Energy Plan for the Western Man:
Joseph Beuys in America and has curated and co-curated
many exhibitions, including Common Houses: Siah
Armajani and Hannes Brunner, Time Wise, and Chocolate!
ICI's mission is to enhance the understanding and
appreciation of contempoary art through traveling
exhibitions and other activities that will reach a diverse
national and international audience. Collaborating with a
wide range of eminent curators, ICI develops its program
of innovative traveling exhibitions and substantial
catalogues to introduce and document sometimes
challenging new work in all mediums by younger, as well as
more established artists from the United States and
abroad.
Since its founding in 1975, ICI has created almost 90
exhibitions that collectively have included the work of
more than 2,000 artists. ICI exhibitions have been
presented by over 400 museums, university art galleries,
art centers, and alternative spaces in the United States
and abroad. Each year, ICI exhibitions are on view in 30 to
40 cities throughout the United States, Canada, Mexico,
and Europe.
AXA Gallery presents works from all fields of the visual
arts, with a special emphasis placed on exhibitions that
would not otherwise have a presence in the city.
The AXA
Gallery is located in the atrium lobby of Equitable Tower,
787 Seventh Avenue at 51st Street, in New York City.
Gallery hours are Monday through Friday, 11am - 6pm,
and Saturday, noon to 5pm.
The Gallery is closed on
Sundays.
Admission is free.
Image:
Tom Friedman
Untitled, 1990
Gelatin silver print
AXA Gallery
787 Seventh Ave
at 51st Street
in New York City
Tel: (212) 554-4731