The exhibition, organized as three solo exhibits, presents of Janieta Eyre, Julie Moos and Zwelethu Mthethewa and revisits staging techniques established by previous generations of photographers, said Shannon Fitzgerald, assistant curator, the Contemporary. Unlike previous photographers and artists, Eyre, Moos and Mthethewa each present works with inventive twists and a unique freshness that address important issues surrounding contemporary portraiture.
As the inaugural exhibition of 2002, the Contemporary will
open Staging: Janieta Eyre, Julie Moos, Zwelethu
Mthethwa, an exhibit that considers various techniques of
staging in contemporary photography. The exhibition,
organized as three solo exhibits, presents the work of
Janieta Eyre, Julie Moos and Zwelethu Mthethewa and
revisits staging techniques established by previous
generations of photographers, said Shannon Fitzgerald,
assistant curator, the Contemporary. Unlike previous
photographers and artists, Eyre, Moos and Mthethewa
each present works with inventive twists and a unique
freshness that address important issues surrounding
contemporary portraiture.
In her exhibit, Eyre photographs herself, as a surrogate,
dressed in elaborate costumes set within fantastical
rooms, which suggest scenarios that do not exist in real
time. Incorporating complex literary references, art
historical symbolism and highly self-referential language,
Eyre's self-portraits are about possibilities, while
simultaneously placing her in a surreal past, an
autobiographical present and an unimaginable tomorrow.
Moos addresses the complexities of human relationships,
particularly through the presentation and recognition of
individuals who form our larger societal structures like
schools, churches and corporations. As a Contemporary
Art Museum St. Louis artist-in-residence, Moos
photographed St. Louis regional farmers working with
Genetically Modified Organisms (GMO's), biogenetic
engineered farming seed engineered by Monsanto.
Interested in the human factor of this controversial
science, Moos has not focused on the lab or the testing
but on presenting the contemporary American farmer with
his or her families and the relationship among generations.
Mthethwa, known world wide for his powerful images of
residents living in informal squatter camps in Western
Cape, South Africa, presents a series of photographs of
women posed in their modest but colorful homes. His
subjects are depicted in their homes among personal
objects and home decorations and become props that
serve as character signifiers thus becoming active
participants in the staging of their own image.
This exhibit allows us to identify and discuss a young
generation of artist's interest in staged portraitures in
contemporary photography and aesthetic, cultural, social
and political significance of the artist's portrayal, said
Betsy Millard, director, the Contemporary. The unique
aspect of this exhibit is illustrated by each of the artists
individual approach to the subject of photographic staging
in portraiture.
The Contemporary Art Museum St. Louis, founded in 1981
as the First Street Forum, is a leading institution for
contemporary art exhibitions in an innovative environment
with community partnerships, education programs and
outreach. Offering six to eight critically acclaimed
exhibitions each year, the Contemporary presents the work
of artists who are at the forefront of the regional, national
and international art scene.
The Forum for Contemporary Art is a non-profit art
museum dedicated to presenting and interpreting
contemporary art and ideas through current
exhibitions, educational programs and public
discussions.
Hours: Tuesday through Saturday: 10:00 a.m. to 5:00 p.m.
The Forum for Contemporary Art 3540 Washington Avenue St. Louis MO, 63103