Matt Pulford - University Galleries
Jordan Crandall
Christoph Draeger
Joy Garnett
Adam Hurwitz
Bill Jones
Ben Neill
ohn Klima
Joseph Nechvatal
Jonathan Podwil
Radical Software Group
Joy Garnett
Night Vision takes it's title from the high-tech optical apparatus used in nocturnal military operations, whose green glow has become increasingly familiar since CNN's televised transmission of the Persian Gulf War one decade ago. The strategic advantage afforded by technologies that can penetrate the night provides the central metaphorfor this exhibition.
an exhibition curated by Joy Garnett
participating artists:
Jordan Crandall | Christoph Draeger | Joy Garnett |
Adam Hurwitz | Bill Jones + Ben Neill | John Klima |
Joseph Nechvatal | Jonathan Podwil | Radical Software Group
Image: Adam Hurwitz, Paintings, oil on canvas or mylar
University Galleries
Illinois State University, Normal, Illinois
February 27 - April 3, 2002
travels to:
White Columns, New York City
June 14 - July 21, 2002
g-module, Paris, France
April/May 2003
NIGHT VISION takes it's title from the high-tech optical apparatus used in nocturnal military operations, whose green glow has become increasingly familiar since CNN's
televised transmission of the Persian Gulf War one decade ago. The strategic advantage afforded by technologies that can penetrate the night provides the central metaphor
for this exhibition. "Metaphors infiltrate real living," states the catalogue text; likewise, the works in NIGHT VISION may shift some light toward the murky implications
surrounding this theme.
"The camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses," wrote Walter Benjamin in a famous analysis. In NIGHT VISION, the
symbolic lens refers to actual technologies co-opted by the artists experimentally, as well as documentary sources or subjects used for reflection and analysis.
NIGHT VISION showcases work by artists and art collaboratives based in New York and in Brooklyn. Employing a variety of media, these artists are deeply influenced by
ongoing developments in technology: the science of optics in the service of both military and social objectives, and networks as extensions of intelligence and creativity, or as
portals for infiltration, surveillance and infection.
ABOUT THE AUTHOR
Tim Griffin is an art critic, curator, poet and writer. He is the current Art Editor of Time Out New York, and former editor of ArtByte: The Magazine of Digital
Culture. He most recently curated the group exhibition "Compression" at Feigen Contemporary, New York, an exhibition of contemporary works dealing with new formal
treatments of space. He co-curated the exhibition "The Production of Production" at Apex Art, NYC. Mr. Griffin has written extensively on new media art and culture, and
his articles have appeared in various journals including Art in America and art/text. His poetry has appeared in PURPLE, LINGO, EXPLOSIVE, KIOSK, and in HAT &
FENCE. His book Contamination, produced by Peter Halley, is forthcoming from Gabrius in May, 2002; July In Stereo appears this summer from Shark Press.
ABOUT THE CURATOR
Joy Garnett is an artist and co-founder of First Pulse Projects, Inc., an art/science publishing collaborative: http://www.firstpulseprojects.org . She lives in New York City.
Works by NIGHT VISION artists appear by courtesy of their galleries as follows:
Jordan Crandall courtesy Henry Urbach Architecture, NYC
Christoph Draeger courtesy Roebling Hall, Brooklyn, NY
Joy Garnett courtesy Debs & Co., NYC
Bill Jones + Ben Neill courtesy Sandra Gering Gallery, NYC
John Klima courtesy Postmasters Gallery, NYC
Joseph Nechvatal courtesy Julia Friedman Gallery, Chicago, and Universal Concepts Unlimited, NYC
Public hours are:
Tuesday: 9:30 am to 9:00 pm
Wednesday - Friday: 9:30 am to 4:30 pm
Saturday - Monday: 12:00 pm to 4:00 pm
University galleries
Illinois State University
110 Center for the Visual Arts
Campus Box 5620
Normal, Illinois 61790-5620
tel 309.438.5494
fax 309.438.5161