Paintings from Private Collections
One of the greatest and most influential European artists of the last fifty years will be the
subject of a major retrospective exhibition at the National Gallery Complex in Edinburgh this
autumn. Gerhard Richter: Paintings from Private Collections will be the second installment in
the Bank of Scotland totalART series, the largest ever sponsorship of modern art in Scotland.
This will be the first time that such an exhibition has been seen in this country and the first
large-scale survey of Richter’s work in the UK for nearly two decades.
Bank of Scotland has invested over £400,000 in Bank of Scotland totalART, which aims to
ensure that modern art reaches the widest possible audience, creating educational and
inspirational experiences for all. The series opened with the hugely successful Andy Warhol: A
Celebration of Life...and Death, which brought 95,000 visitors to the National Gallery
Complex in 2007.
Born in Dresden in 1932, Gerhard Richter has done more than any other living artist to put
painting back on the agenda for artists, critics and the public alike. Since the early 1960s his
paintings, both figurative and abstract, with their superb mastery of technique, strong
conceptual underpinning, subtle ambivalence and sheer beauty, have had a huge impact on
generations of artists, and have helped to make painting once again a vital means of artistic
expression. Arguably, he is the world’s greatest living painter.
Bank of Scotland totalART: Gerhard Richter will offer an unrivalled overview of the artist’s
career, bringing together over 60 paintings dating from 1963 right up to the recent past. The
exhibition will include works from virtually every period of Richter’s development, beginning
with his iconic black-and-white, photo-based works (which earned him the label of German
Pop artist), and ending with his magisterial, sensuously coloured abstracts of the 1990s and
beyond.
Working in a period in which painting has been deemed by many to be anachronistic and
irrelevant, Richter has seemed determined to explore the full palette of possibilities that the
medium has to offer: from figurative to abstract, from monochrome to multi-coloured, from
flat, uniform application of paint to webs of swirling brushstrokes, from precise control to the
use of chance. In this exhibition, Richter’s mastery of paint can be explored in many of his
finest and most famous works.
The exhibition, which has been co-organised with the Frieder Burda Museum in Baden-Baden,
the Albertina in Vienna and the MKM Museum Küppersmühle für Moderne Kunst in
Duisburg, has been made possible by the generosity of five private collections, which between
them possess an extraordinary range of Richter’s paintings, and moreover of supreme quality.
In addition, a group of major paintings from the ARTIST ROOMS Collection, recently
acquired by the National Galleries of Scotland and Tate from the Anthony d’Offay Collection,
will be displayed for the first time.
During the autumn and winter of 2008-09, the British public will be able to enjoy two other
major presentations of Richter’s work: 4900 Colours: Version II, at the Serpentine Gallery,
London (23 September – 16 November 2008); and Gerhard Richter Portraits at the National
Portrait Gallery, London (26 February – 31 May 2009).
Sarah Cran, Head of Sponsorship, HBOS plc said: “We are really looking forward to the
Richter exhibition, the second exhibition in the Bank of Scotland totalART series. It promises
to be a fantastic show. Richter is one of the greatest living contemporary artists and a true
inspiration to many aspiring art students. Our innovative education programme which will
accompany the exhibition will engage and educate these students. There will also be a number
of unique and exciting projects specifically geared towards young children and adults, ensuring
that people of all ages and backgrounds have the opportunity to experience Richter’s work first
hand.”
John Leighton, Director-General, National Galleries of Scotland said: “Gerhard Richter is
arguably the most important and influential contemporary artist alive today so I am delighted
that this major show will be coming to Scotland as the second exhibition in the Bank of
Scotland totalART series. I would like to thank Bank of Scotland for their continued support
and I look forward to working with them to bring top-class modern and contemporary art to
Scotland.”
Image: Kerze (Candle), 1982, 100 x 100 cm, Frieder Burda Collection
National Galleries Press Office on 0131 624 6325/ 332/ 314 pressoffice@nationalgalleries.org
Press view: 11.30 am – 1.00 pm, Thursday 6 November 2008, National Gallery Complex, Edinburgh
National Gallery Complex
The Mound, Edinburgh, EH2 2EL
Open daily 10am-5pm. Thursdays until 7pm.
Festive period opening hours:
Closed 25 and 26 December only. Open 1 January from 12 noon-5pm.
Admission £6 / £4; children free (12 years and under)