Channa Boon
Bram Vreven
Ton Schuttelaar
Virginija Januskeviciute
Valentinas Klimasauskas
Stroom Premium artists and a retroactive exhibition of the works already there. In the context of daily activities of the Contemporary Art Centre this exhibition could be said to be a pseudo-museological endeavour. Most of the artworks referred to in the title as "already there" remain from previous exhibitions at the CAC but have lost their status of an artwork over time or are often misattributed. Curators: Virginija Januskeviciute and Valentinas Klimasauskas.
Curators: Virginija Januskeviciute and Valentinas Klimasauskas
If you look at the works by the recent STROOM Premium artists closely you will
notice that they sustain an observant dialogue with the history of contemporary and
modern art. The new video film directed by Channa Boon, and shot in Vilnius, in an
allusion to the myth of the death of painting. Kinetic piece by Bram Vreven,
although mute, or perhaps for this reason especially, can be linked with experiments
in the music of 50s and 60s. And Ton Schuttelaar carries out the gestures of
ready-made in their purest form. Even long before the exhibition was installed these
links have filled so much of the room that we decided to make more space – by
inserting something between those works and the tradition of modernism, represented
by the building of the CAC as well. Encouraged by various remnants of the
contradictory internal dialogue that manifest in the building, we decided to stitch
them together into one story.
In the context of daily activities of the Contemporary Art Centre this exhibition
could be said to be a pseudo-museological endeavour. Most of the artworks referred
to in the title as “already there” remain from previous exhibitions at the CAC but
have lost their status of an artwork over time or are often misattributed. Among
them are a puddle once constructed in front of the main entrance of the CAC, a light
installation that was kept switched off, the painted-over works within the walls.
Other works have turned into icons, integral to the building, or, on the contrary,
have been produced in collaboration with the Contemporary Art Centre but for a
variety of reasons were never shown here. The late author of the oldest works in the
exhibition would have turned a hundred years old this year; his works are in the
building since longer than the institution. The exhibition guidebook will help
visitors finding works that are not possible to show in the exhibition room.
In a sense this is two exhibitions in one, and so it may come as no surprise that
there are works that do not belong to either. The two-headed Roman god Janus, a
figure that used to represent doorways and different aspects of time, can be said to
be an inspiration for the inner contradiction of the double show. It is also
inspired by something that the writer Italo Calvino used to say – that you can‘t
read the same book in the same way the second (or the third) time. The exhibition
considers revisionist art practices and the theme of cultural amnesia.
Opening: Saturday 22 November, 6pm
Contemporary Art Centre - CAC
Vokieciu 2 - Vilnius