Californian artist presents a dynamic new series of large-scale paintings entitled "The Rubble Luxe". The works play generously upon the viewer's imagination by setting the stage with a rich dichotomy of thick vs thin brushstroke, fecund vs barren surface, and dazzling vs decayed content.
For her New York debut, Californian artist Ali Smith will present a dynamic new
series of large-scale paintings entitled "The Rubble Luxe".
"The Rubble Luxe" plays generously upon the viewer's imagination by setting the
stage with a rich dichotomy of thick vs thin brushstroke, fecund vs barren surface,
and dazzling vs decayed content. Smith's raw palette of pure color and muscular
command of pigment unite to assert a passion for process and materials. The presence
and physicality of the paint seize the surface and permeate the air, forming a pure
sculptural statement which leaps from the 2-D surface. Smith confidently employs
these devices in generating arrangements that are defined by paradox: scenes that
are at once fluid and off-kilter, playful and dangerous, carefree and obsessive. The
impossible terrain that characterizes the work reveals the whimsical mental space of
the artist - demonstrating the inherent paradox of opposites and extremes which
comprise the human psyche. "Curiouser and curiouser" - to quote a well-loved
children's spiritual guide....
Smith is also a well-versed formalist who isn't afraid to display her accomplished
chops. Within these abstract landscapes are distinct architectural fields delineated
by her thick impasto, grounding the work with the viscerality of the medium and
providing analog to the dramatic topography of the canvas. Graceful compositions
result from the acceptance of free association; anthropomorphic shapes disappear as
quickly as they present themselves to the eye. Underlying her overt abstraction,
however, Smith possesses a lyrical humanity, a baroque energy which she discloses
turn by turn through her rich painterly language.
"The Rubble Luxe" occupies a permanently liminal space, that transitional moment in
which something is neither here nor there, manifested as much by its ephemeral
quality as by its physicality. Like a stone breaking the water's surface - or
DeKooning's "Door" - these works present a window into the unknown, to possibility -
appearing and vanishing forever, all at the same time.
Ali Smith received her MFA from California State University where she was awarded a
Fine Arts scholarship. She completed an artist's residency at Stichting Kaus
Australis in the Netherlands and has exhibited in Europe, Japan, and the United
States - notably at Mark Moore Gallery in LA. Her work is included in, amongst other
collections, the Frederick R. Weisman Foundation. She lives and works in Long Beach,
CA.
Reception: Thursday, April 9, 6 – 8 pm
Freight and Volume
542 West 24th Street - New York
Hours:
Tuesday - Saturday
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Closed on Sunday and Monday
Free admission