A large, matt-grey mobile hangs from the ceiling of the anterior exhibition space. 7 round cages hang from the mobile, each of which contains a live canary. The room is painted magenta. The individual elements of the mobile are arranged according to the spatial transposition of a simple mathematical formula: the continual halving of the geometric form of the square, from which it begins.
For this year's Gallery Weekend Berlin, Esther Schipper shows new works by Carsten
Höller in the artist's fifth solo exhibition at the gallery.
A large, matt-grey mobile hangs from the ceiling of the anterior exhibition space.
Seven round cages hang from the mobile, each of which contains a live canary. The
room is painted magenta. The individual elements of the mobile are arranged
according to the spatial transposition of a simple mathematical formula: the
continual halving of the geometric form of the square, from which it begins. In
2007, Carsten Höller realised The Belgian Problem in Shawinigan, Quebec – large
aviaries full of live starlings upon which he experimented using acoustics and
communication. In the current exhibition, visitors are confronted with the varying
dialects of different kinds of canaries. The concept of "floating" is realised
formally by the mobile, and further strengthened through the birds sitting in the
cages. It is an arrangement "for measuring the dimension of song".
The mathematical formula of doubling and halving is also taken up by Höller in the
gallery's adjoining room, where a series of mushroom vitrines are on view. These are
Doppelpilze (Double mushrooms) – halved and newly put together moulds of different
kinds of mushrooms, always combined with one half of a toadstool. Some of the
mushrooms are edible, others not.
Square paintings display the formula's starting point, from which the mobile was
developed. In this context, the room's colourful environs intervene powerfully in
the experience.
The artist has also turned the gallery's office into an exhibition room. A nine-part
print series with golden canary motifs is shown on one of the office walls, which
has been painted in pale mint. This work was realised by Carsten Höller together
with Niels Borch Jensen and can now be seen for the first time in the context of an
exhibition.
Carsten Höller lives and works in Stockholm. Most recently, he realised the now
legendary The Double Club (with Fondazione Prada) in the London borough of
Islington. This year, alongside other projects, he is taking part in Daniel
Birnbaum's exhibition "Making Worlds" as part of the 53rd Venice Biennale.
Opening: Friday 1 May 2009, 6-9 pm
Esther Schipper
Linienstrasse 85 - Berlin
Free admission