Appearing In. Photographs and Video Installation 2001-02. Hawkins decision to present the work on a scale that is life size sets up a challenging dialogue between the subject and viewer making it difficult to avoid the unsettling sensation of looking into a mirror.
Appearing In
Photographs and Video Installation 2001-02
Stuart Hawkins is a New York based artist who has lived and worked in
Nepal for many years. Utilizing both photography and video her work
explores contemporary life in a culture often presumed to be untouched
by the modern world. For her most recent project Appearing In, her
subjects address aspects of pop culture as they are invited to respond
to the camera. What becomes exciting for both subject and viewer is not
the portrayal of an unspoiled paradise as often seen in National
Geographic but rather the visual dialogue that comprises consumer
culture.
Functioning in a threefold manner Hawkins' portraits and videos bring a
unique, new voice to contemporary art. First, they represent parts of
the
developing world frequently cherished as unspoiled reveling that here
too people are just as interested in television, movies, and magazines.
As her
subjects take to the stage they use props, body language, music, and
select English words to bring sex appeal and beauty to the image. While
some choose to act out TV commercials, imitate an admired magazine
photograph, or combine a film scene with a fantasy, others intentionally
spoof on people such as Kate Moss, Tom Cruise, Puff Daddy, or Madonna. A
visual tension is created throughout Hawkins' work as her subjects
grace and awkwardness compel the viewer to question what is innate and
what is learned when presenting oneself to the camera.
Secondly, as these unexpected yet familiar representations are presented
to us in a context removed from our own new meaning is rendered not
only as it pertains to contemporary Nepal but more importantly as we
self-consciously recognize the image or ourselves. As we see aspects of
our own culture through the eyes of another we are given a new vantage
point from which to ask why and what it is that we admire and aspire to.
Hawkins decision to present the work on a scale that is life size sets
up a challenging dialogue between the subject and viewer making it
difficult
to avoid the unsettling sensation of looking into a mirror. This
potentially uncomfortable exchange is the conceptual strength of the
project: the
place where we can see most if we are open to seeing ourselves.
Finally, Hawkins' portraits and videos acknowledge an universal intrigue
with being filmed and photographed. Her work asks the viewer to consider
how we have come to believe what is sexy, what is attractive, and what
sells. What is it that makes us feel special when we present ourselves
to
the camera and what measures do we take to ensure that we will be
recorded how we want to be seen, as someone that is successful and looks
good.
Image: Stuart Hawkins, Untitled, 2000 c-print, 50x60
Opening reception Friday, May 3rd with music by a surprise DJ.
Opening: Friday, May 3, 2002 6-9pm
Gallery hours: Thursday Monday, 12 6 pm or by appointment
Priska C. Juschka is proud to announce that she has moved to her new
location at 97 North 9th Street (between Berry Street and Wythe Avenue).
PRISKA C. JUSCHKA FINE ART
New address: 97 North 9th Street, (between Berry Street & Wythe Ave.)
Brooklyn, NY 11211
New phone number: T: 718 782 4100 or 212-987-6177 F: 718 782 4800