Moonmilk. An exhibition of 24 new colour photographs shot in caves across North America. Over the last year, McGinley and his crew explored huge caves underground, venturing into unknown territory, seeking out spectacular natural spaces, some previously undocumented.
Alison Jacques Gallery announces the first UK solo show of acclaimed American artist Ryan McGinley with
an exhibition of 24 new colour photographs shot in caves across North America. Over the last year,
McGinley and his crew explored huge caves underground, venturing into unknown territory, seeking out
spectacular natural spaces, some previously undocumented. The title of the show “Moonmilk” alludes to the
crystalline deposits found on the walls of many caves; it was once believed that this substance was formed
by light from celestial bodies passing through rock into darkened worlds below. A book of McGinleyʼs new
photographs will be published by Morel books to coincide with the opening of the London show on
September 10.
McGinley describes his work as a journey, and his photographs form a “travel log” which captures his
experiences across the American landscape. This particular adventure pushed his troop to new levels of
bravery, testing the participantsʼ fortitude and endurance in hazardous conditions. McGinley says “there is
something prehistoric about a cave that makes one feel comfort and impending doom all in one breath. The
air is often thick with dust, humidity and the smell of minerals while the ground is slick clay, or rubble that fell
from the ceiling. It is slow going when burdened by the excessive amount of lighting options needed to pull
off an 8-hour shoot. Most caves are no more than 50 degrees inside while some house ice that stays intact
all year round making it a challenge to endure the long exposures and precarious set ups necessary to shoot
with such limited light.”
McGinleyʼs goal is to explore, experiment, take risks and produce a picture that is different. He works
thoroughly, deeply, and obsessively. He is curious and open, while remaining interested in very specific
things. These new cave photographs demand that viewers accustomed to his previous work throw away
everything they might have thought about McGinley — gone is the snapshot kid.
Some of the inspiration for this work came from childhood adventure stories such as Mark Twainʼs Tom
Sawyer and Jules Verneʼs Journey to the Center of the Earth. McGinley also took cues from the illustrations
to be found in childrenʼs books and even in the Bible stories his mother read to him as a child, such as the
story of Jonah and the Whale.
McGinley rejected working in commercial caves, focusing instead on what are commonly referred to as “Wild
Caves.” Some of the terminology applied to explorers and other kinds of pioneers can be applied to
McGinley and his work process: trailblazer, pathfinder, seeker, searcher, frontiersman, surveyor. For the
cave photographs, McGinley plunged himself, his models, and his crew into an awesome and impenetrable
blackness and brought back evidence from the hidden realm; pictures from inside the earth.
Ryan McGinley (born in Ramsey, New Jersey, 1977) lives and works in New York. Solo museum shows
include FOAM Fotografiemuseum Amsterdam (2007); Kunsthalle Vienna (2006); Museo de Arte
Contemporáneo de Castilla y León (2005); P.S. 1, New York (2004). In 2003, at the age of 24, McGinley was
the youngest ever artist to have a monographic exhibition at the Whitney Museum. Public collections
include: Whitney Museum; Guggenheim Museum; SFMoMA, San Francisco; Museum of Fine Arts,
Houston; The Ellipse Foundation, Portugal.
Opening Thursday 10 September 2009, 6pm - 8pm
Alison Jacques Gallery
16 - 18 Berners Street, London
Free admission