For more than two decades, Steve Wolfe has created objects and drawings that explore the intersections between material culture, intellectual history, and personal and collective memory. This exhibition, Wolfe's first solo museum show, comprises thirty works drawn from the artist's innovative body of works on paper, some purely drawn, but many combining drawing, painting, collage, and printmaking.
curated by Carter E. Foster and Franklin Sirmans
For more than two decades, Steve Wolfe (b. 1955) has
created objects and drawings that explore the intersections between material
culture, intellectual history, and personal and collective memory. This exhibition,
Wolfe’s first solo museum show, comprises thirty works drawn from the artist’s
innovative body of works on paper, some purely drawn, but many combining
drawing, painting, collage, and printmaking. A collaboration between the Whitney
Museum and the Menil Collection, the exhibition is co-organized by Carter Foster,
the Whitney’s curator of drawings, and Franklin Sirmans, curator of modern and
contemporary art at the Menil. Steve Wolfe on Paper opens September 30 and runs
through November 29, 2009, in the Anne & Joel Ehrenkranz Lobby Gallery. The
show will then travel to the Menil Collection, Houston, April 2 – October 31, 2010.
Working in the tradition of trompe l’oeil, Wolfe makes pieces that often quite
literally fool the eye on inspection. What appear to be tattered books, worn covers,
and used vinyl records are in fact objects made from modeling paste, screen
printing, graphite, and various other techniques, meticulously produced to convey
the mark of time and handling. The tears, creases, and basic wear point to human
contact. This exhibition focuses on Wolfe’s works on paper, and “Steve Wolfe on
Paper,” the title selected by Wolfe himself, is not only a double entendre referring to
both his technique and subject—since Wolfe’s work often depicts paper in the form
of books—but also implies Wolfe’s commitment to the material and the handmade in
the face of the electronic age and the potential obsolescence of the culture of the
book and the written word. Book covers have been the primary subject of Wolfe’s
art and his renderings of particular covers relating to moments of his life may be
seen as a self-portrait of the artist and of his generation.
As Carter Foster, Whitney curator and co-organizer of the exhibition, explains:
“Wolfe invests his creations with both personal history and personal touch: an
almost erotic representation of the fact that one can fall in love with that which is
ephemeral (ideas, music). Wolfe’s transformation of common objects requires the
viewer to re-think what they mean as such.”
Catalogue
The exhibition is accompanied by a 96-page catalogue containing 30 full-color
plates, in-depth essays by co-curators Carter E. Foster and Franklin Sirmans; a
selected exhibition history and bibliography, and index. Published by the Whitney in
collaboration with the Menil Collection, this is the first museum publication on Wolfe
and his significant place in post-war American art. Support for this catalogue was
provided by The Andy Warhol Foundation for the Visual Arts, Roland Augustine and
Lawrence Luhring, and Gail and Tony Ganz.
Significant support for this exhibition is provided by Marguerite Steed Hoffman.
About the Artist
Steve Wolfe was born in Pisa, Italy, in 1955 and lives and works in San Francisco,
California. A graduate of Virginia Commmonwealth University, Wolfe has been the
recipient of American Academy of Arts and Letters Award (2000). Wolfe exhibited
most recently at the Whitney as part of 2D→3D (2007).
Contact:
Stephen Soba, Leily Soleimani T: (212) 570-3633 pressoffice@whitney.org
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