Per Hüttner
Suzanne Adelman
Brigette Burns
Bert Herrington
Joan Kahn
Robert Mellor
Alexander Panov
Eric Zammitt
Swedish artist Per Hüttner's first solo exhibition in Los Angeles. The new work in the exhibition has been producedduring his residency Raid Projects and include a series of photographicself-portraits and a sculptural object made from a wedding dress. In the North Gallery: Robert Mellor - New Paintings. Also at Raid Projects: Kaleidoscope: color in painting systems.
OPENING- SATURDAY 1 JUNE, 7-10PM
(Directions: http://www.raidprojects.org/About/about.html)
Per Hüttner
"About Weddings and Commodities"
at RAID PROJECTS, June 1 - 29, 2002
Raid Projects is proud to present Swedish artist Per Hüttner's
first solo exhibition in Los Angeles. The new work in the
exhibition has been producedduring his residency Raid Projects
and include a series of photographicself-portraits and a
sculptural object made from a wedding dress.
In the booklet which accompanies the current exhibitions at
Raid Project, Los Angles based artist and critic Charles LaBelle writes:
'It takes a moment before you realize that the crumpled white
form on thedeserted stretch of road isn't trash but a person
in a wedding dress. Aspindly arm juts out. A tangle of blond
hair catches the sun. Look closerand in the shadows you can
distinguish the person's features, somewhatghastly in white
face powder and smeared red lipstick. Even more
disturbing: the eyes stare back at you. [. . .]
In his iconoclastic white attire, Hüttner makes an unseemly,
hysterical(simultaneously funny and out of control)
spectacle of himself as passers-by gawk and snicker.
Like Nijinsky, who called himself "God'sClown,"
Hüttner is a performer who aims to enlighten rather
than titillate. His work is infused with a sense of
urgency and occasional recklessness. Abandoning whatever
authority and power he might possess, flirting with
rebellion and infantilism, his quest is for something
truer and more human. In this sense it would be misleading
to discuss Hüttner's images in relation to "marginalized
subjectivities" or "post-colonial geographies" though we
could easily do so. For Hüttner himself is interested in
stripping things down, getting to the heart of the matter.
Eschewing rhetoric and convoluted theorizing, his work
speaks of good old-fashioned loneliness, the nobility
of suffering and the struggle to find a place for oneself
in the world and just be happy.'
For further information about the artist, exhibition
or for images please contact the gallery or Max Presneill: maxpresneill@yahoo.com
Per Hüttner has shown extensively in Europe, North
America and Asia. His
work can currently also be seen in 'Ego' at the
Chinese European Art Center
in Xiamen, China; and is also featured in an article
by Duncan McLaren
published in the summer issue of 'Contemporary'.
The exhibition is supported by The Swedish Consulate
in Los Angeles and by
the Swedish Embassy in Washington.
Also at Raid Projects:
KALEIDOSCOPE: color in painting systems
featuring:
Suzanne Adelman
Brigette Burns
Bert Herrington
Joan Kahn
Alexander Panov
Eric Zammitt
and in the North Gallery:
Robert Mellor - New Paintings
FINALLY, If you have not seen Karine Bonneval's
exhibition in the Hood
Gallery - your last chance to see this striking
exhibition will be in
conjunction with the opening at Raid Projects.
RAID PROJECTS, June 1 - 29, 2002
OPENING- SATURDAY 1 JUNE, 7-10PM
602 Moulton Ave. Los Angeles, CA 90031
tel: (323) 441 9593
The gallery is open on Saturdays, from 11am to 5pm, or
by appointment (just call).
Raid Projects
602 Moulton Ave.,
Los Angeles, CA 90031
tel; (323) 441 9593