The solo show of German artist includes a two-channel video projection, a squid-powered metal sculpture with video, a group of hanging soft sculptures, and a lecture-dance-performance on the opening night (March 1), that allows the viewer a unique chance to witness the transformation of words, actions and everyday materials into distinct sculpture. This body of work speaks a new rigorous formal language and shows the artist expanding forms and using new materials.
The fifth solo show at Anton Kern
Gallery of German artist John Bock includes a two-channel
video projection, a squid-powered metal sculpture with
video, a group of hanging soft sculptures, and a lecture-
dance-performance on the opening night (March 1), that allows the viewer a unique chance to witness the
transformation of words, actions and everyday materials into distinct sculpture. This body of work speaks a new
rigorous formal language and shows the artist expanding forms and using new materials.
Displayed in the back gallery, “PARA – SCHIZO, ensnarled,” entirely filmed and produced in Korea, is the first
double projection in Bockʼs large film and video oeuvre. Seemingly entangled in a love story, the two
protagonists are on distinct but parallel paths, converging, clashing, imitating and in the end destroying each
other in a cycle of mutual interplay and action. The film is a sequence of situational frames of emotional and
formal symmetry in which images and words are intricately composed between the two channels. The script
follows a series of word-collages—recomposed classical, modern, and imagined references—forming a
language experiment in which the actors become empathetic participants, intuitively responding to Bockʼs text
and built environment, where seemingly makeshift objects play a central and active role.
“Büchse” (tin can), placed in the center of the gallery, is an ominously dark metal sculpture, cut and built into
precise shapes, reminiscent of a submarine or other aquatic vehicle. Here and in the accompanying film Bock
employs the language of travel and discovery, and leads the viewer into the dark realm of exploration and
terrains unknown. The group of wall-hangings expands Bockʼs vocabulary of assemblage into strictly conceived
sewn-fabric soft sculptures. Although incorporating the occasional found object, they have become new
formulations of distinct sculptures while following the artistʼs esthetic of diagrams and exploratory drawings.
Bockʼs work has been exhibited widely including solo shows at Arko Art Center, Seoul, Korea; REDCAT, Los
Angeles (both 2008), Schirn Kunsthalle Frankfurt, Germany (2007); State Opera, Berlin (2006), FRAC, Marseille
(2005), the ICA London (2004); and the Museum of Modern Art, New York (2000); as well as participations in
the Biennale di Venezia, the Lyon Biennial (both 2005), the Carnegie International (2004), Documenta 11
(2002), and the Yokohama Triennale (2001). A large sculpture-video installation by John Bock is currently
displayed in the exhibition “Imaginary Museum: Dakis Joannou Collection” at the New Museum in New York.
The show opens February 26th
The opening is on Monday, March 1, 5 to 7 pm
the performance will start at 6 oʼclock.
Anton Kern Gallery
532 West 20th Street, New York USA
open Tuesday through Saturday, 10 am - 6 pm
free admission