B72
Wien
Hernalser Gurtel 72, A-1080

Catalogue and performance
dal 12/3/2002 al 13/3/2002

Segnalato da

iris roth


approfondimenti

Georg Paul Thomann



 
calendario eventi  :: 




12/3/2002

Catalogue and performance

B72, Wien

'Who Shot Immanence? On The Dynamics Of Appropriation And Intervention In The Work Of Georg Paul Thomann' is the first analytical approach to Thomann's intellectual drudgery.


comunicato stampa

AUSTRIA's CONTRIBUTION TO SAO PAULO BIENNIAL
CATALOGUE-PRESENTATION AND PERFORMANCE at B72

Who Shot Immanence?
On The Dynamics Of Appropriation And Intervention In The Work Of Georg Paul Thomann.
Edited by Thomas Edlinger (FM4 Im Sumpf), Johannes Grenzfurthner (monochrom), Fritz Ostermayer (FM4 Im Sumpf)

Wednesday March 13th, after 9 p.m.

Since the early 1960s, Georg Paul Thomann (currently official Austrian artist for the Sao Paulo Biennial 2002) has devoted himself to the grey zones where systems intersect: the art (market), politics, economics, pop, gaiety, vanity, good clean fanaticism, crisis, language, culture, self-content, identity, utopia, Georg Paul Thomann, mania and despair. In this context, Thomann's oeuvre is a manifestation of his own personal progression through and in the counter-cultures of the post-war era - avantgarde art, punk, activism, techno. Little of his oeuvre is qualified to be memorised, kept or historicised, let alone shown in a museum. A good deal of it has simply been left by the side of the road.
"Who Shot Immanence? - On The Dynamics Of Appropriation And Intervention In The Work Of Georg Paul Thomann" is the first analytical approach to Thomann's intellectual drudgery. His works are non-dialectic dialectics of distance and nearness, presence and absence, hostile take-over and friendly separation, particularisation and formation of fractions and, of course, the everlasting readiness for alliance. "Die and let live", as he calls it himself. The book not only tries to analyse the various biographic and pseudobiographic paths and modes of this 'Great Disappearer', but it also enquires into the relevance of Thomann's "discursive undergrowth" for the time after the century of (neo-)avantgardes.

With contributions of Martin Buesser, Stella Rollig, Roland Schoeny, Stefan Grissemann, Lioba Reddeker, Peter von Trapp, Thomas Meinecke, Zdenka Badovinac, Geert Lovink, Hans Temnitschka, Cosima Rainer, Michael Nagula, Amina Handke, Andreas Findeisen, Johannes Ullmaier, Claudia Slanar, Lorenz Seidler, Frank Apunkt Schneider, Gabu Heindl, Beat Weber, Tonki Gebauer, Didi Bruckmayr, Gerhard Stoeger, Thomas Raab, Christian Kobald, and many more. German and english language.

The book contains an extensive biography of Georg Paul Thomann, a glossary for the biography as well as 130 photographs and images (some in colour).

The book is being published by "edition selene"

B72
Hernalser Gürtel 72, A-1080 VIENNA

B72
IN ARCHIVIO [1]
Catalogue and performance
dal 12/3/2002 al 13/3/2002

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