Marina Abramovic
Julius Koller
Anri Sala
Cyprien Gaillard
Jiri Kovanda
Katerina Seda
Pawel Althamer
Liam Gillick
Edward Krasinski
Vojin Bakic
Gentian Shkurti
Dominique Gonzalez-Foerster
David Maljkovic
Yael Bartana
Balint Szombathy
Mangelos
Maria Bartuszova
Mladen Stilinovic
Gorgona
Alina Szapocznikow
Ciprian Muresan
Cezary Bodzianowski
Tomislav Gotovac
Tamas Szentjoby
Roman Ondak
Mircea Cantor
Ion Grigorescu
Rirkrit Tiravanija
NeSa Paripovic
Attila Csorgo
Tibor Hajas
Ewa Partum
Endre Tot
Tacita Dean
Alban Hajdinaj
Dan Perjovschi
Goran Trbuljak
Thea Djordjadze
Carsten Holler
Marjetica Potrc
Alexander Ugay
Braco Dimitrijevic
Sanja Ivekovic
Julije Knifer
Dimitri Prigov
Olafur Eliasson
Daniel Knorr
Edi Rama
Miklos Erdely
Tobias Putrih
Irwin
Deimantas Narkevicius
Christine Macel
Joanna Mytkowska
Natasa Petresin-Bachelez
Crossing nations and generations, the exhibition presents the works of over 50 artists, the most emblematic of the former Eastern Europe countries, and underlines their influence on the international art scene today. Twenty years after the fall of the Berlin wall, the show challenges the idea of art history as something linear and continuous. Over 160 works of art, across all disciplines, whilst sources, archives, documents as well as videos and films are presented inside the installation created by Slovene artist Tobias Putrih. There will also be documents retracing the history of artistic exchanges between Paris and Eastern Europe as well as films by artists and documentaries on their performances.
Curators: Christine Macel, Curator, Head of the Service for the contemporary creation and prospective, Joanna Mytkowska, Director of the Museum of mordern art of Warsaw, associated curator for the Espace 315, sources, documents, films, etc. Nataša Petrešin-Bachelez
From April to July 2010, Centre Pompidou presents "The Promises of the
Past," a transnational, transgenerational exhibition featuring works by more
than fifty artists, many of them from Central and Eastern Europe.
The exhibition title picks up the expression used by German philosopher
Walter Benjamin (1892–1840) in his analysis of history as a succession of
discontinuous events. The countries of Eastern Europe are conspicuous
examples of this phenomenon.
This exhibition examines the former opposition between Eastern and Western
Europe by taking a fresh look at the history of the communist bloc countries
twenty years after the fall of the Berlin Wall. The aim is twofold: firstly, to
show the work of artists who are not well known in France but whose work
has left a mark on their native countries; secondly, to elucidate the manifest
influence of tutelary figures from Central and Eastern Europe on the young
generation of international artists.
Indeed, many contemporary artists, from former Communist countries and beyond, have picked up practices that
characterized artistic currents in Central and Eastern Europe and have been significantly inspired by the
movements and themes developed there. Witness, for instance, the discreet performances by Roman Ondák
which are very close to the performances by Július Koller and Jiří Kovanda in the 1970s. Many artists on the
contemporary art scene have reinterpreted the architectural heritage of the communist period: this is the case
for likes of David Maljković who breathes new life into Vojin Bakić's buildings and of Cyprien Gaillard who
documents the current state of these architectural vestiges.
The exhibition highlights the work of some of the
most emblematic artists of the former Eastern bloc, underlining their influence on the international scene.
Alongside such well-known artists as Sanja Iveković, Dimitrije Bašičević Mangelos and Edward Krasinski, the
French public will be discovering a number of artists for the very first time.
One hundred sixty artworks in all mediums are on view in the Galerie Sud of Centre Pompidou in an original
exhibition layout by Monika Sosnowska (Poland). In Espace 315, documents from the archives of the former
Communist bloc are presented in an exceptional installation by Tobias Putrih (Slovenia).
There will also be documents retracing the history of artistic exchanges between Paris and Eastern Europe as
well as films by artists and documentaries on their performances.
The exhibition is structured around six main themes: "Beyond modernist utopias"; "Fantasies of totality"; "Anti-
art"; "Micro-political gesture – poetic gesture"; "Feminine – feminist"; "Public space – private space". At the
same time, the show strives to challenge the very notion of art history as a linear, continuous series of events, as
t was conceived throughout the modern period, shifts the focus in the process to the notion of discontinuity.
The catalogue Les Promesses du passé / Promises of the past, edited by Christine Macel, Joanna Mytkowska and
Nataša Petrešin-Bachelez, is published by Éditions du Centre Pompidou.
Catalogue of the exhibition:
Edited by: Christine Macel, Nataša Petrešin-Bachelez
format: 22 x 28 cm 256 pages 200 colour illustrations 44,90 euro
Twenty years after the fall of the Berlin Wall, when the idea of a nation state involving a geographic
Bilingual (French-English) approach of art is out-of-date, "The promises of the Past" questions the former opposition between Eastern
and Western Europe by reinterpreting the History of the communist block countries. The catalogue starts
with thorough essays provided by art historians which offer a new sight on art from this period and the
consequences it had on nowadays’ younger generation of artists. The 40 historical and contemporary artists
are presented with bibliographical details, texts about their work and a wealth of photographs. The
catalogue will also present the Espace 315, where sources, archives and documents are collected in order
to put in their historical and artistic context the displayed artworks. The catalogue finally contains a
demanding anthology of texts written by contemporary historians.
The catalogue has been designed to reflect these various processes and includes groundbreaking essays by
authors such as Jan Verwoert, Elena Filipovic, the late Igor Zabel, Dieter Roelstrate or Luiza Nader,
previously unpublished in French.
Image: Neša Paripovic, Photographie du tournage du film NP 77, © Goranka Matic, ́Courtesy of the artist et Belgrad Museum of Contemporary Art The film NP 77 belongs to the collections of the Centre Pompidou, Paris.
Communication Department 75191 Paris cedex 04
director of communications Françoise Pams phone +33 (0)1 44784908
Press officer Sébastien Gravier phone +33 (0)1 44784856, fax +33 (0)1 44781340 e-mail sebastien.gravier@centrepompidou.fr
At the opening on 13 April 2010, two artists Jiří Kovanda and Roman Ondák will be presenting performances in connection with the space and themes of the exhibition.
Centre Pompidou
75191 Paris cedex 04
Hours: 11 am – 9 pm every day ex. Tuesdays
Admission Euro 10 - Euro 12, depending on time
Concessions Euro 8 - Euro 9
Free for under-18s