Le guide. The new group of works at Xavier Hufkens form a return to this earlier work. Altmejd has woven various materials through the boxes of plexiglass to create complicated and organic volumes. The shapes, which seem to dissolve or float in space, can one moment be suddenly abstract and the next moment reminiscent of living beings. 'Le guide' presents an ephemeral, swanlike figure that appears to be continuously transforming or grow-ing.
Xavier Hufkens is pleased to announce the exhibition Le guide of David Altmejd. The artist is showing colour-
ful, ethereal sculptures that are covered by and mounted in boxes of plexiglass. The sculptures come across as
transient apparitions but, when you look closer, materialise as solid, organic structures. Le guide is the second
exhibition of Altmejd at the gallery.
David Altmejd is known for his large humanoid figures, fashioned from plasticine or mirrors. But until a few
years ago he made complex display cases of platform-style structures in which he arranged strange, seductive
and grotesque objects, for example pieces of crystal and fantasy jewellery and sculpted werewolf parts. He tied
these objects together with a fine golden chain, creating something like a nervous system, so that the whole
sculpture looked like a living organism with energy pulsing through it. The resulting structures of plexiglass
looked like abstract drawings, floating in space.
The new group of works at Xavier Hufkens form a return to this earlier work. Altmejd has woven various
materials through the boxes of plexiglass to create complicated and organic volumes. The shapes, which seem
to dissolve or float in space, can one moment be suddenly abstract and the next moment reminiscent of living
beings. Le guide presents an ephemeral, swanlike figure that appears to be continuously transforming or grow-
ing. The artist was inspired for this exhibition by notions of architecture, movement and light. At the same
time his visual language is, as ever, based in biology, in particular that of the human body.
These diverse perspectives lead to sculptures that incorporate two extreme aspects. From a distance they seem
to transcend the physical but observing them up close they are actually extremely material. These ephemeral,
organic images embody ideas of transformation and development and simulate a manifestation of energy via
the physical aspects of the materials.
Recent solo exhibitions of David Altmejd (Canada, 1974) took place in Le Magasin Centre National d’Art
Contemporain in Grenoble and in the Fundacion La Caixa Museum in Barcelona. In 2007 he had a solo exhibi-
tion in the Canadian pavilion during the Biennial of Venice. Last year he participated in the group exhibitions
Collection: MOCA’s first 30 years in the Museum of Contemporary Art in Los Angeles (2009) and in Between Spaces
in the P.S.1 Contemporary Art Center in New York. In 2010 the work of Altmejd is being included in the
exhibition Skin Fruit: Selections from the Dakis Joannou Collection, curated by Jeff Koons, in the New Museum of
Contemporary Art in New York and in Contemplating the Void in the Guggenheim Museum in New York.
The artist lives and works in New York, USA.
Image: David Altmejd, The Builders, 2005
(C) all rights reserved
Opening Friday, 23 April 2010, 6 to 9 pm
in the presence of the artist
Xavier Hufkens
Sint-Jorisstraat 6–8 rue Saint-Georges, Brussel
The gallery is open Tuesday to Saturday, noon to 6 pm
free admission