Kristina McLean Calum Sutton PR
One of the artist's most ambitious exhibitions in the UK to date, Barlow's show features immense, new sculptures constructed in situ that respond to the architecture of the gallery. Inspired by the everyday objects of the city, Barlow has created a group of works that brings the cacophony of the gallery's external surroundings inside.
'Things aren't just visual. They are sensations of physicality.'
– Phyllida Barlow
Hauser & Wirth is proud to announce Phyllida Barlow's debut
show with the gallery. One of the artist's most ambitious
exhibitions in the UK to date, Barlow's show features
immense, new sculptures constructed in situ that respond to
the architecture of the gallery.
Inspired by the everyday objects of the city, Barlow has created a
group of works that brings the cacophony of the gallery's external
surroundings inside. The urban congestion is 'captured like
something wild or feral', says Barlow, and is evolved into a purely
physical object, stripped of any symbolic context and resituated
within the gallery. The verticality and mass of the sculptures,
broken up by the staccato application of brightly coloured paints
and draped fabrics, takes over the entire building from the
basement to the attic.
Like the urban environment from which they are drawn,
Barlow's sculptures are not passive emblems, but instead active
objects that swallow their surroundings. These new works are
precariously positioned and obstruct the viewer's path, forcing
them to look around, underneath or above their great mass and
imposing position.
For over four decades, Barlow has created anti-monumental
sculptures from inexpensive, low-grade materials such as
cardboard, fabric, plywood, polystyrene, scrim and cement.
Barlow's sculptural practice is centred on her experimentation with these materials and the process of re-
contextualising them to create large-scale, three-dimensional collages. Her constructions are often crudely painted
in industrial or synthetic colours, resulting in abstract, seemingly unstable forms: the seams of their construction left
completely visible, revealing the dynamics of their making.
Phyllida Barlow was born in 1944 in Newcastle-upon-Tyne, England. She lives and works in London. In the late 1960s,
Barlow began teaching at the Slade School of Art as Professor of Fine Art. In 2009, she stopped teaching in order to
focus on her own work.
Barlow's recent solo exhibitions include 'Cast',
Kunstverein Nürnberg, Nuremberg, Germany (2011);
'STREET', BAWAG Contemporary, Vienna, Austria
(2010); and in 2010, she was in the critically acclaimed
two-person show at the Serpentine Gallery, London,
England with Nairy Baghramian. Recent group shows
include 'Displaced Fractures', Migros Museum für
Gegenwartskunst, Zurich, Switzerland (2010).
Barlow's forthcoming exhibitions include 'Sculptural
Acts' a group show at Haus der Kunst, Munich,
Germany (November 2011); 'Before the Law' at
Museum Ludwig, Cologne, Germany (December
2011); and a solo show of her drawings at the Henry
Moore Institute (April 2012). In 2011, Barlow was
elected a Royal Academician.
Press Contact:
Kristina McLean
kristina@suttonpr.com
+44 207 183 3577
Installation view, 'Phyllida Barlow. STREET', BAWAG Contemporary, Vienna, Austria, 2010
© Phyllida Barlow
Courtesy the artist and Hauser & Wirth
Photo: Oliver Ottenschlager
Opening: Thursday 1 September 6 - 8 pm
Hauser & Wirth
196A Piccadilly - London
Gallery hours: Tuesday to Saturday, 10 am – 6 pm
free admission