P.S. 1 Contemporary Art Center
Jonathan Bepler
Christian Marclay
Pipilotti Rist
Ugo Rondinone
Vito Acconci
Laurie Anderson
Opening July 2, 2000,
P.S.1 Contemporary Art Center will present its least visual
exhibition -Volume: Bed of Sound. Volume is a presentation of
sound in two parts: an exhibition of approximately 60 sound
artists presented through headphones; and, in an adjacent
gallery, a space designed floor-to-ceiling with speakers for
individual and group sound art presentation. A vast number of
additional artists will be represented in ARC:arc, an audio
archive.
Volume is on view throughout the summer as an integral
part of Warm Up, P.S.1's popular outdoor DJ/music
series. Comprised of sound-installations and audio-pieces,
the indoor exhibition will combine essential historical
works such as the sound effects tracks from Apocalypse
Now! by Oscar-award-winning sound designer Walter
Murch and a compilation of excerpts from 70's
audio-installation by Vito Acconci along with audio
works by contemporary artists addressing the current
trend of 'sound art'. Among the many highlights and firsts
of Volume will be world premiere pieces by Laurie
Anderson Ryuichi Sakomoto, AACM founder Muhal
Richard Abrams, disc jockey Steinski, the Finnish
electronic group PanSonic, Sonic Youth, Throbbing
Gristle founders Chris & Cosey, Matt Heckert of
Survival Research Laboratories, and a new "music box"
project by composer Butch Morris.
participating artists include:
Muhal Richard Abrams, Vito Acconci, Maryanne Amacher,
Laurie Anderson, David Behrman, Ed Campion/Andrew
Ginzel/Kristin Jones, John Cale, Joel Chadabe, Chop
Shop, Chris & Cosey, Cibo Matto, Beth Coleman, Nicolas
Collins, Tony Conrad, Cubanismo!, Alvin Curran, Chris
Cutler, Tod Dockstader, John Duncan, Christian Fennesz,
Ellen Fullman, Matt Heckert, John Hudak, I-Sound, Phil
Kline, Keenan Lawler, Arto Lindsay, Alvin Lucier, Paul
deMarinis, Kaffe Matthews, GenKen Montgomery, Ikue
Mori, Butch Morris, Walter Murch, Phil Niblock, Carsten
Nicolai, Genesis P-Orridge, Bob Ostertag, John Oswald,
Pansonic, Zeena Parkins, Vernon Reid, The Residents,
Frank Rothkamm, Adriana Sa, Michael Schumacher, Sonic
Youth, Steinski, Carl Stone, Telectu, Frances-Marie Uitti,
Carl Michael Von Hauswollf, and Lauren Weinger.
Another important component of Volume will be ARC:arc, the
archive of audio archives providing the soundtrack to the cafe.
Contained within ARC:arc's CD jukebox will be influential
compilations of sound art including the Futurists, Zona, Harry
Smith archive, Just Another Asshole, State of the Union,
Murmurs, and Tellus as well as seminal works by such
composers as Edgard Varese, Iannis Xenakis, Lejaren
Hiller with John Cage, Toru Takemitsu, Jerry Hunt, Harry
Bertoia and David Tudor.
Volume is curated by P.S.1 Executive Director and Deputy
Director, MoMA, Alanna Heiss and composer, musician
and sound art producer, Elliott Sharp with the curatorial
consultants John Head, Russell Haswell, and agnès b. The
catalog, on CD-ROM, will include a text introduction by
Max Neuhaus, a pioneer of sound art.
Volume will expose the roots of sound discovery in an art
context. This approach will allow the audience to draw
parallels to the live DJ's and performances in the outdoor
galleries. Many artists included in Volume will explore the
sonic foundations of contemporary music.
Sound artists will be presented in dual formation: walking
through the space of P.S.1's expansive first floor north and west
wing galleries the visitor will be exposed to minimal visual
stimuli. Only the audio delivery system (headphones in the
north, floor to ceiling speakers in the west) will be visible in the
main galleries. Each contributor will have the same technical
parameters of sound projection and volume with the works
presented in the form of compact disc.
Volume is made possible thanks to the generous support
of Maria Rosa and Gilberto Sandretto.
Running concurrently at P.S.1 will be Warm Up 2000, Max
Neuhaus: Drawings, Around 1984: A Look at Art in the Eighties,
Projects by Jonathan Bepler, Carola Dertnig, Amy Gartell,
Fassih Keiso, Christian Marclay, and Ugo Rondone as well as
portions of Greater New York.
Jonathan Bepler, Christian Marclay, Pipilotti Rist,
Ugo Rondinone
As a complement to
Volume, installations by Ugo Rondinone, Christian Marclay,
Pipilotti Rist and Jonathan Bepler incorporate sound and
vision, bridging aspects of perception.
In the main entrance of P.S.1, Ugo Rondinone presents So
Much Water So Close to Home. His claustrophobic installation
of fake-wood paneling and PVC emits voices from embedded
speakers. Windows are fixed with mirrors and give the illusion of
tunnel-vision.
For P.S.1, Jonathan Bepler has composed a minimally visual,
4-channel speaker installation that emanates a one-hour loop of
organic and synthetic sound. The sounds from each speaker
play off one another, so that each speaker takes on a different
"personality." The quadrophonic system allows the music to
rotate around the listener producing a physical effect in the
"viewer" which evokes the visual.
In a historical return to P.S.1, Christian Marclay presents his
work of broken records, which debuted at P.S.1's Clocktower
Gallery in 1987. Approximately 1,500 12-inch vinyl records tile
P.S.1's first-floor hallway flush against one another. Initially, the
records will be unbroken. During the course of the summer, the
records will be crushed as the public walks over them.
The first video ever produced by Pipilotti Rist, I'm Not the Girl
who Misses Much, (1986) shows the blurred image of the artist
singing over and over again the title from a John Lennon song.
Her breasts are exposed, as shedances around like a
marionnette at high speed. Her voice and image become
distorted as the video changes momentum, the overall effect
being both humor and neurosis.
Opening July 2, 12-6pm
P.S. 1 Contemporary Art Center Studio Program
22-25 Jackson Ave.
Long Island City, New York 11101
t: 718 784 2084/ f: 718 482 9454
Hours
P.S.1 is open from Noon to
6:00 p.m. Wednesday
through Sunday.